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Rocky Mountain Online Archive


Table of Contents

Collection Summary

Biography

Arrangement of Collection

Scope and Content

Restrictions

Preferred Citation

Processing Information

Acquisition Information

Related Materials

Access Terms


Inventory of the Richard Throssel Papers, 1900-1960, 1993

University of Wyoming. American Heritage Center.

Email: ahcref@uwyo.edu
URL: http://ahc.uwyo.edu/



"©" 2006 University of Wyoming


Collection Summary

Title Richard Throssel papers
Dates (Inclusive) 1900-1993
Dates (Bulk) 1902-1933
Creator Throssel, Richard, d. 1933
Abstract Collection contains materials mainly relating to Throssel's photographic work, including 2,481 photographs, glass plate negatives and lantern slides of the Crow and Northern Cheyenne Indians from 1902-1933.
Collection Number 02394
Size 21.15 cubic ft. (59 boxes)
Repository University of Wyoming. American Heritage Center.
Language(s) English

Biography

Throssel (1882-1933) was born in Washington state of Cree Indian and English descent. He worked as an office clerk at the Crow Indian Reservation in south-central Montana from 1902-1910 and was adopted by the Crow tribe in 1905. While at the reservation he met photographer Edward S. Curtis, and was briefly instructed by him. Throssel became a field photographer for the Crow reservation before he established his own photography studio, the Throssel Photocraft Company, in Billings, Montana, in 1910.

Richard Throssel was born on September 18, 1882, in Marengo, Washington. His maternal heritage was, in part, Cree Indian, while his father was of English descent. In 1902 Throssel was employed as an office clerk at the Crow Reservation Agency in south central Montana. There is evidence that Throssel identified to some degree with Indian people, and he was later legally adopted by the Crow. He also learned to speak and "sign" the Crow language.

While at the reservation Throssel developed his photography and painting skills. He tried his hand at painting under the guidance of Joseph Henry Sharp, founder of the Taos School of Artists. It was also at the agency that Throssel met photographer Edward S. Curtis and for a brief period Throssel was instructed by Curtis.

Throssel decided to pursue a career in photography and became a field photographer for the Crow Agency. In 1910 he left the agency to open a photography studio in Billings, Montana, where he continued to photograph and paint Indian subjects.

Throssel married Florence Pifer in 1904. They had two daughters, Vera and Alberta. Richard Throssel passed away on June 10, 1933, at Camp Cooney, Montana.

See Box 57 for "The Photography of Richard Throssel: an Annotated Bibliography" by Peggy Albright.

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Arrangement of Collection

The Richard Throssel Papers are arranged in 4 series. The bulk of the collection is contained in the Photographs and Negatives series.

Each series is described in a separate finding aid which may be accessed by clicking on the series detail links below.

Series I. Photographs and Negatives, 1902 - ca. 1920s. 14.86 cubic ft. (6 letter boxes, 1 F24 box , 39 negative boxes, 5 shoe boxes and 4 F20 boxes).

Most of the 2,481 images in this series are contained in both pictures and negatives. Subjects of the images are mainly Native Americans and outdoor scenes from the early 1900s.

Series II. Papers, 1900-1960, 1993. .7 cubic ft. (1 document box and 1 slim document box).

Includes printed material, correspondence, speeches and miscellaneous items.

Series III. Non-Photographic Media, 1904-1933. 5.38 cubic ft. (1 F22 box and 19 items).

The subjects of the copyrighted paintings are mostly Native Americans or outdoor scenes.

Series IV. Artifact, n.d. .21 cubic ft. (1 negative box).

One powder horn.

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Scope and Content

Collection contains materials mainly relating to Throssel's photographic work of the Crow and Northern Cheyenne Indians from 1902-1933. Collection includes 2,481 photographs, glass plate negatives and lantern slides of daily life, ceremonies, portraits and village scenes of the Crow and Northern Cheyenne; what is now the Little Bighorn National Monument; daily life of Billings; Throssel and his family; ranching; and scenery of southern Montana and northern Wyoming (1902-ca. 1920s).

Collection also includes 12 pieces of correspondence with Throssel and of his family (1915-1916, 1928, 1954-1960); manuscripts and speeches by Throssel on Indian culture; newspaper clippings, pamphlets and other printed materials on Throssel and his photography (1900-1963, 1993); 25 paintings by Throssel of outdoor scenes and Crow Indians (1904-1933); and 1 powder horn.

The bulk of the Richard Throssel Photographs is composed of photographs taken of Crow and Cheyenne Indians during the early 1900s. The collection also contains some manuscripts, notes, and paintings pertaining to Crow and Cheyenne Indian culture. Both the photographs and written material are very useful for understanding the changes Native Americans faced during the early twentieth century.

The collection also contains many scenic photographs taken of southern Montana and northern Wyoming. The photos of early day Billings, Montana, document both structures and events. There are also photos and written material on Richard Throssel and his family.

Prints and negatives with the same title-description may or may not be identical. Also some images may have more than one title-description. Many of the lantern slide images are duplicates of the positives and/or the glass plate negatives.

Boxes 54 and 55 contain broken glass plate negatives. Photographs having actual titles are listed in quotes.

Subjects listed on content page are general, for more specific identification see index.

These photographs would be helpful to anyone interested in Plains Indian culture and the adjustment Native Americans made to a new lifestyle on the reservation, early day outdoor sports, or life in a western city during the early 1900s.

Throssel # - sequential number apparently assigned by Richard Throssel.

TP# - Throssel photograph arbitrary number assigned to distinguish photographs.

AHC Neg. # - File number of copy negatives made by the American Heritage Center.

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Restrictions

Access Restrictions

There are no access restrictions on the materials for research purposes, and the collection is open to the public.

The photographic positive images may be used by researchers. The use of glass plate negatives requires the permission of the reference archivist.

Copyright Information

The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.

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Preferred Citation

Item Description, Box Number, Folder Number, Richard Throssel Photographs, 1900-1960, 1993, Accession Number 2394, American Heritage Center, University of Wyoming.

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Processing Information

The collection was processed by Elizabeth Hokanson in April 1994.

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Acquisition Information

The Richard Throssel collection was loaned to the American Heritage Center in 1967 by his daughters, Vera Throssel and Alberta Throssel Hawkins. In 1990 Vera Throssel deeded it to the American Heritage Center.

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Related Materials

There are no known other archival collections created by Richard Throssel at the date of processing.

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Access Terms

Billings (Mont.) -- History

Cheyenne Indians -- Photographs

Cheyenne Indians

Crow Indians -- Photographs

Crow Indian Reservation (Mont.)

Crow Indians

Glass plate negatives

Indians of North America -- Montana

Lantern slides

Little Bighorn Battlefield National Monument (Mont.)

Montana -- History

Negatives

Northern Cheyenne Indian Reservation (Mont.)

Photography -- Montana

Photography -- Montana -- Billings

Photography -- Wyoming

Speeches

Throssel Family

Throssel Photocraft Company

Works of art

Wyoming -- History -- 1890-1918

Wyoming -- History -- 1919-1945

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