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Finding Aid of the Nancy C. Wood Papers,
1950-2011
University of New Mexico, University Libraries, Center for Southwest
Research Email: cswrref@unm.edu
URL: http://elibrary.unm.edu/cswr/
Funding provided by: University of New Mexico Center for Regional Studies.
© 2012 The University of New Mexico
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Title |
Nancy C. Wood Papers |
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Dates (Inclusive) |
1954-2011 |
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Creator |
Wood, Nancy C.
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Abstract |
This collection primarily contains writings, research, and correspondence,
spanning Nancy Wood’s fifty year career as a professional writer. |
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Collection Number |
MSS 888 BC |
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Size |
30 Boxes (27.5 cu. ft.)
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Repository |
University of New Mexico Center for Southwest Research |
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Languages |
English |
Nancy Wood was born in 1936 in Trenton, New Jersey. She moved to Fort Carson,
Colorado in 1958 and it was here that the landscape and environment first captured
her soul. In 1962, she met Roy Stryker who became her artistic teacher. Roy Stryker
managed the photography movement of the Farm Security Administration, and he
enlisted Nancy to help him compile a book of FSA photos that depicted the happier,
hopeful side of the Great Depression. In 1973, their joint editorial collaboration,
In This Proud Land, was published. Although it
would be over 10 years after meeting Stryker that Nancy would pick up the camera in
a professional capacity, Stryker taught her the art of seeing.
In 1961, Nancy married photographer Myron Wood and they collaborated on projects
together, with her writing the narrative and he providing original photographs. It
was in 1962 that Nancy began to write magazine articles and children’s books. Her
first children’s book, a collaboration with Myron Wood entitled Little Wrangler, was published in 1966. Writing
children’s books soon expanded into writing books of poetry, short novels, and
narratives for her own photographic work. Her second book, Hollering Sun, was a book of poetry written after spending time at Taos
Pueblo. Nancy’s time at Taos Pueblo would have a tremendous impact on her life.
Roy Stryker may have been Nancy’s artistic teacher, but her spiritual teacher was
Taos Pueblo elder Red Willow Dancing. While still living in Colorado, Nancy began to
write about Taos Pueblo and its spirituality. Her own religious views shifted from
devout Roman Catholicism to the religiosity of the Taos people, which involved a
profound sensitivity to nature. In 1984, she left Colorado and moved to Taos, New
Mexico where she photographed Taos Pueblo and its people for five years. She was to
write nine books on Taos over the years, which she has described as a “kind and
loving tribute" to the Taos people.
Her writing and photography over the last 45 years has yielded 32 books, all
influenced by the real situations, people, and environment of the West. Her work
focuses on the grassroots of many Western regions and peoples such as Colorado, the
Utes, Taos, Pueblo, Pie Town, and rural New Mexico. Nancy's four children are: Karen
Alison, Christopher Keith, Eleanor Kathryn, and India Hart. Nancy passed away on
March 12, 2013 at her home in Santa Fe, NM, as a result of cancer.
Her awards include: the Western Heritage Award for Outstanding Photography Book from
the National Cowboy & Western Heritage Museum (2008) for Eye of the West, the finalist for the Western Writers of America Spur
Award (2005) for Old Coyote, the Mountains and Plains
Booksellers Award (2005, 1998), the Zia Award (2005), the Frank Waters Lifetime
Achievement Award (2004), the Lee Bennett Hopkins Children's Poetry Award (1994) for
Spirit Walker, the National Endowment for the Arts
Grant for Literature (1987) for The Soledad
Crucifixion, the Pulitzer Prize Nominee for musical adaptation of poetry
(1976) for War Cry on a Prayer Feather, and she was the
finalist for the Southwest Book Award (2009) for We Became As
Mountains.
5 series:
Awards, Grants, Publicity
Correspondence
Research, Notes, Clippings, and Articles
Full Length Manuscripts
Audio Recordings
This collection is organized into five series: Awards, Grants, Publicity;
Correspondence; Research, Notes, Clippings, and Articles; Full-Length Manuscripts;
and Audio Recordings.
Awards, Grants, Publicity: This series includes the
application materials Wood assembled for various grants, including Guggenheim and
National Endowment for the Arts fellowships. Wood was awarded a substantial grant
from the Colorado Bicentennial Commission in 1976 to fund Grassroots People; in 1987 the Museum of New Mexico awarded her a large
grant to support her Taos Pueblo photography; and she
won an NEA fellowship in literature in 1988 for “The Soledad Crucifixion" (published
as Soledad in 2012). Her unsuccessful 1974 Guggenheim
application would have funded an historical novel on Taos Pueblo. The series also
includes materials from a 2012 NEA application which would fund a narrative poem on
the Spanish Inquisition in New Mexico.
Correspondence: This series holds materials that reflect
Wood’s professional and personal life. This series is subdivided into: Publishers;
Agents; General; Appraisers/Collectors; and Teaching. Included are letters sent to
Wood and carbons of letters written by Wood. Several folders contain correspondence
between Wood and her agent and close friend Marie Rodell.
Research, Notes, Clippings, and Articles: Wood wrote and
sold a number of articles in the 1960’s and early 1970’s before focusing exclusively
on books. Most of the articles are about Colorado towns and Western themes. Subjects
include environmental issues like deforestation, cattle ranching, nuclear energy,
and radioactive pollution. Wood collaborated with members of the Sierra Club to
publish articles about conservation and the timber industry. Wood published several
profiles of Colorado cowboys and wild horses. This series includes one oversized box
containing scrapbooks with Wood’s early work for the Beachcomber and the New York Times.
Manuscripts - Full Length: Ms. Wood’s work includes fiction,
non-fiction, photography, children’s literature, poetry and an edited collection.
Full length manuscripts are arranged chronologically. Wood collaborated with her
photographer-husband Myron Wood on her first three books. The manuscripts are: Central City: A Ballad of the West; Little Wrangler; Colorado:
Big Mountain Country; The Last Five Dollar Baby; Hollering Sun; Clearcut: The
Deforestation of America; Many Winters; In This Proud Land; The King of Liberty
Bend; The Man Who Gave Thunder to the Earth; The Grass Roots People; War Cry on
a Prayer Feather; When Buffalo Free the Mountains; Heartland New Mexico; Taos
Pueblo; Spirit Walker; Dancing Moons; The Girl Who Loved Coyotes; Shaman’s
Circle; The Serpent’s Tongue; Sacred Fire; Thunderwoman; How the Tiny People
Grew Tall; Mr. and Mrs. God; Old Coyote; Eye of the West; We Became as
Mountains.
Correspondence with Roy Stryker is included with manuscript material for In This Proud Land, which was a collaboration between
Wood and Stryker. Wood’s most well-known publication treating her experience on the
Ute Indian Reservation is When Buffalo Free the
Mountains. Several of her publications were deeply influenced by her
relationships with several members of the Taos Pueblo; most well-known is the book
of photography, Taos Pueblo. The libel suit brought
against Wood for her work on the Ute people can be found among the materials for
War Cry on a Prayer Feather, one of two books that
she wrote on the Ute.
Audio Recordings: This series contains oral histories with
members of the Taos Pueblo and with FSA photographers. Included are interviews with
John Collier, Jr. and Russell Lee, as well as an oral history with Ms. Wood dated
February 9, 2012.
Access Restrictions
The collection is open for research.
Copy Restrictions
Limited duplication of print and photographic material is allowed for research
purposes. Anyone seeking rights or permissions should contact Info@NancyWood.com.
User is responsible for compliance with all copyright, privacy, and libel laws.
Nancy C. Wood Papers (MSS 888), Center for Southwest Research and Special Collections, University of New Mexico Libraries
There is no box 12. Audio tapes were re-formatted to CD in March, 2012. CD 17, CD 23,
and CD 26 were inaudible and therefore discarded.
Inquire with reference staff for access to unprocessed addition - 77 boxes,
B3-13A.
Archival CDs are stored in B3.
Book titled "A Treatise on Auricular Confession", Raphael Melia, 1865 (used by Wood
in her research for "Soledad.") removed for preservation and cataloguing.
Nancy C. Wood Photograph Collection,
Center for Southwest Research, University Libraries, University of New
Mexico.
Authors, American – 20th century Children's stories, American Clearcutting -- United States Collier, John, 1913-1992 -- Interviews Colorado -- Description and travel Colorado -- Social life and customs Indians of North America -- Southwest, New -- Juvenile fiction Indians of North America – New Mexico Land use -- Environmental aspects -- West (U.S.) Lee, Russell 1903-1986 -- Interviews Letters Manuscripts New Mexico -- Rural conditions -- Pictorial works New Mexico -- Social life and customs Pueblo Indians -- Juvenile literature Pueblo Indians -- Juvenile poetry Research grants Rocky Mountains Region -- Social life and customs Sound recordings Southwest, New -- Juvenile fiction Stryker, Roy Emerson, 1893-1975 -- Correspondence Taos Indians Taos Pueblo (N.M.) United States -- Economic conditions -- 1918-1945 -- Pictorial
works United States -- Social conditions -- Pictorial works Ute Indians -- Colorado West (U.S.) -- Environmental conditions West (U.S.) -- Social life and customs Women authors, American – 20th century Wood, Myron Wood, Nancy C.
Contents List
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|
| Description |
Container |
Awards 1981-2005 |
|
Curricula Vitae 1976-2006 |
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Grants 1975-1981 |
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Grants 1990-1993 |
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Guggenheim 1973 |
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NEA 2012 |
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Letters of Support 2008 |
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Nancy Wood Lifetime Collection 2006 |
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Publicity 1963-1973 |
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Publicity 1971-1980 |
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Publicity 1981-1989 |
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Publicity 1990-1999 |
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Publicity 2000-2010 |
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B&W copy negative of Wood with child; Wood's 1954 High School
Yearbook; religious ephemera 1954 |
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| Description |
Container |
American Heritage 1970-1971 |
|
Atlantic Monthly 1973-1974 |
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Audubon 1969-1970 |
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Barefoot Books 2003 |
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Candlewick 1999-2005 |
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Candlewick 2004 |
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Candlewick - Contracts 1999-2006 |
|
Colorado Magazine 1965-66 |
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Curtis Brown 1980-1984 |
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Curtis Brown 2003-2004 |
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Denver Post 1968-1974 |
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Doubleday 1965-1972 |
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Doubleday 1974-1983 |
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Empire 1983 |
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Harper & Row 1971-1983 |
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Knopf 1988-1990 |
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New York Graphic 1973-1977 |
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The New York Times 1966-1970 |
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Pearson 2009 |
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Photo Researchers 1980-1983 |
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Reader's Digest 1965-1967 |
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Saturday Evening Post 1967-1968 |
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Simon & Schuster 1971-1981 |
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Sunstone Press 2007 |
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Tailwinds 1982-1984 |
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Tuttle Mori - Japan 2003 |
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Unbridled Books 2005 |
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UNM Press 2006-2007 |
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| Description |
Container |
Anderson, Kathy 2004 |
|
Book Doctors 2003 |
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Chenery, Janet 1982-1984 |
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Nicholson, George 2002 |
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Rodell, Marie 1965 |
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Rodell, Marie 1966 |
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Rodell, Marie 1967 |
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Rodell, Marie 1968 |
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Rodell, Marie 1969 |
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Rodell, Marie 1970 |
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Rodell, Marie 1971 |
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Rodell, Marie 1972 |
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Rodell, Marie 1973 |
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Rodell, Marie 1974 |
|
Rodell, Marie 1975 |
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Rodell, Marie 1976 |
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Rodell, Marie 1977 |
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Rodell, Marie 1978 |
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Rodell, Marie 1979 |
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Rodell, Marie 1980 |
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Schulman, Susan 2006 |
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Various Agents 2005-2011 |
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| Description |
Container |
1962
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1963
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1964
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1967
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1968
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1969
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1970
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1971
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1972
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1973
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1974
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1975
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1976
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1977
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1978
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1979
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Brittingham, John 1978-1982 |
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Evans, Brock 1971-1972 |
|
Evans, Brock 1973 |
|
Evans, Brock 1973 |
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Evans, Brock 1981-1982 |
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1980
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1981
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1982
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1983
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1984
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1985
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1986
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1987
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1988
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1989
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Deloria, Vine 1987 |
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1990
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1991
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1992
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1993
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1994
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1995
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1996-1998
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1999
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2000
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2001
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2002
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2003
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2004
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2005
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2006
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2007
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2008
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2009
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2010
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Undated
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| Description |
Container |
Ewell, Bernard 2003-2004 |
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Howsam, Robert 2004 |
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Southern Ute Cultural Center 2009-2010 |
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University of Utah 2003 |
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University of Wyoming 1980-1983 |
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| Description |
Container |
Aspen Center for Environmental Studies 1994 |
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Center for Teaching International Relations 1972 |
|
University of Colorado 1969 |
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| Description |
Container |
Aspen 1969 |
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Aspinall 1968 |
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Atomic Energy/McCall's 1970 |
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Atomic Energy/McCall's 1970 |
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Atomic Energy/McCall's 1970 |
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Atomic Energy/McCall's 1970 |
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Atomic Energy Commission 1970 |
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Atomic Energy Commission undated interview transcripts |
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Atomic Energy 1970 |
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Atomic Energy 1970 |
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Atomic Energy 1970 clippings |
|
Baca 1983 |
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Baca 1983 |
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Baca 1979 |
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Beef Industry 1973 |
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Broadmoor Hotel 1965 |
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Camping undated |
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Canyons and Mesas 1967 |
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Castle Concrete undated |
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Cheyenne Village 1972 |
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Cheyenne Village 1972 |
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Cities 1965-1966 |
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Clippings 1960's |
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Clippings 1970's |
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Clippings 1970's-1982 |
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Clippings 1980's |
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Clippings 1980's |
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Clippings 1990's |
|
Clippings 1990's |
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Clippings and Wood Poems 1984-1993 |
|
Clippings 1993-1994 |
|
Clippings: "Weird File" circa 1993 |
|
Clippings 2000's |
|
Clippings 2000's |
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Colorado: America's Ruined Utopia undated |
|
Colorado Historical Society Exhibition 1977 |
|
Colorado Notes undated |
|
Colorado Notes undated |
|
Colorado Notes undated |
|
Colorado Springs City Council 1974 |
|
Conservation 1980 |
|
Council on Economic Priorities 1971 |
|
Craig, Colorado undated |
|
Creede undated |
|
Cripple Creek undated |
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Cripple Creek: "Gold" 1974 Empire Magazine article |
|
Cripple Creek Novel undated |
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Cowboys undated |
|
Deer Dance 2003 |
|
Denman, M.D. 1966 |
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Denver Diagnostic Screening Test 1968 |
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The Defoliation of a Small Town undated |
|
Drop City undated |
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E.L. Timmons, M.D. undated |
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Empire articles 1970 |
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Film Proposals undated |
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Foreign Language Publications undated |
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Fort Carson 1969 |
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Fort Carson 1970 |
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Fort Union undated |
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Gary Herbert undated |
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Girl Scouts vs. Smokey Bear 1970 |
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Goodbye to a Frontier undated |
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The Good, Strange Life undated |
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Great Sand Dunes 1969 |
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Great Sand Dunes 1970 |
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Gulf 1969-1970 |
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Hermit Pass undated |
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Highway Mentality 1968 |
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Holiday 1970 |
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Housekeeper Wanted undated |
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The Instant Westerner undated |
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Julian undated |
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The Lacys undated |
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Lasaster 1967 |
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Lasaster 1969-1973 |
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Letters to the Editor 1970-2002 |
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Letters to the Editor undated |
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Logos undated |
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Loretta Lynn Fan Club undated |
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Mace, Stewart undated |
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Mace, Stewart 1982 |
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Man and the Land undated |
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Maps undated |
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The McCombers undated |
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Melodrama 1965 |
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Mesas undated |
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Mesa Verde National Park 1968 |
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Mining 1970 |
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Mining Boom in Colorado undated |
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Miscellaneous 1968-1970 |
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Miscellaneous Publications 1964-1984 |
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Miscellaneous Publications 1978-1981 |
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Miscellaneous undated "The City Watchers,""Cracked Teacups," "Thinking Out Loud," "Children's
Chapel," "Farrington Carpenter," "The Vanishing Cowboy," "The Jelly
Glass Letters," "Police Department," "Internal Revenue Service," "The
Doctor Who Can't Retire" |
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The Mountain Men undated |
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Mountain Mystique 1974 |
|
Mountains 1967 |
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Multiply and Subdue undated |
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New York Times 1960's |
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New York Times Articles 1965-1970 |
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No Name, Colorado 1969 |
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Notes 1960's |
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Notes 1963 |
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Notes 1970's |
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Notes 1980 |
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Notes 1981 |
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Notes 1980's |
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Notes 1990's |
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Notes undated |
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Of Trees and Men 1973-1974 |
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Out of Welfare and Into Awareness undated |
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Peggy Marshall 1972 |
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A Piece of String undated |
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The Penitentes undated |
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Plains 1967 |
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Poetry 1969-1999 |
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Public Land Law Review Commission 1970-1971 |
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Public Land Law Review Commission 1971 |
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Pueblo Life undated |
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Quotes undated |
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Randolph Johnsonn, Sculptor undated |
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Requiem for a Frontier 1961 |
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Rocky Mountain Magazine 1978 |
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The Ruined Rockies undated |
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The Sangre de Christos undated |
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Sangre de Christos book 1973 |
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The San Luis Valley undated |
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San Luis Valley 1966 |
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San Luis Valley Look Magazine 1966 |
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Santa Fe 1978 |
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Slobs on Wheels 1969 |
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Sopris, Colorado 1970 |
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Sopris, Colorado 1970 |
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Soviet Union 1967 |
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Taos Pueblo Visitors News 1985 |
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Te Deum for a Cowboy undated |
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Telluride undated |
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Trung: A Lesson in Love 1968 |
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Turnstile undated |
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Turtles undated |
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The Vanishing Cowboy 1972 |
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Watrous undated |
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What is Wilderness undated |
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Wilderness undated |
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Wild Horses 1968 |
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Wild Horses 1969 |
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Wild Horses 1969 |
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Early articles 1953-1960 |
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| Description |
Container |
Children's Roundtable Talk 1967 |
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Correspondence 1964-1970 |
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Drafts 1964 |
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Draft 1965 |
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Proposal undated |
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Publicity 1966 |
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| Description |
Container |
Manuscript Scrapbook 1967 |
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| Description |
Container |
Correspondence, research, notes 1963-1967 |
|
Drafts circa 1963-1967 |
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Drafts circa 1963-1967 |
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Publicity 1969 |
|
|
|
| Description |
Container |
Original Notes undated |
|
Early Drafts 1966 |
|
Drafts, Background undated |
|
Draft undated |
|
Draft undated |
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Correspondence 1966 |
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Synopses undated |
|
Reviews 1972 |
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|
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| Description |
Container |
February, 1969 (A) 1969 |
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February, 1969 (B) 1969 |
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February, 1969 © 1969 |
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Draft (A) circa 1969 |
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Draft (B) circa 1969 |
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Draft (A) circa 1969 |
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Draft (B) circa 1969 |
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Draft circa 1969 |
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Draft 1969-1970 |
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Draft circa 1969 |
|
Drafts, scraps undated |
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Draft undated |
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Drafts, comments, notes undated |
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Film 1990 |
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Film, publicity 1972-1973 |
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"The Last Five Dollar Baby" 1969 |
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Yellowbird Productions 1973 |
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|
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| Description |
Container |
Addendum to Chapters 1970 |
|
An American Cowboy 1975 |
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Bitterroot and Other Sorrows 1971 |
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Blue Ribbon Commission 1970 |
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Church Hearings 1971 |
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Church Hearings 1971 |
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Church Hearings 1971 |
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Clearcut: A Conservationist's Views 1971 |
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Clearcut Clippings 1970 |
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Clearcut Notes 1971 |
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Clearcut Notes, Clippings 1971 |
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Clearcut: Mitch's Corrections circa 1971 |
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Clippings 1971 |
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Clippings 1971 |
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The Deforestation of America circa 1971 |
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The Deforestation of America circa 1971 |
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The Deforestation of America circa 1971 |
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Forest Service 1970 |
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Forest Service 1971 |
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Frontier Ranch circa 1970's |
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Industry 1969-1970 |
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Industry 1970 |
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Monogahela 1970 |
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Redwoods 1966 |
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Sierra Club 1971-1972 |
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Sierra Club Correspondence 1971 |
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Sierra Club Materials 1965-1970 |
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Sierra Club Outlook 1970 |
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Solutions 1971 |
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Timber Supply Act 1971 |
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Wilderness Act undated |
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| Description |
Container |
Dust Bowl Women undated |
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Captions undated |
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Correspondence 1972-1975 |
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Final Print Selection circa 1972 |
|
FSA Selections 1935-1942 |
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FSA Book Notes undated |
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"In This Proud Land" 1973 |
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In This Proud Land Draft 1973 |
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In This Proud Land Draft 1973 |
|
Draft 1973 |
|
Library of Congress 1973 |
|
Library of Congress 1986 |
|
Publicity 1973 |
|
Stryker Correspondence 1970 |
|
Stryker Drafts 1973 |
|
Stryker Notes circa 1972 |
|
Stryker Shooting Scripts 1942-1973 |
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Stryker Shooting Scripts 1936-1942 |
|
Wilson Correspondence 1973-1977 |
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|
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| Description |
Container |
Correspondence 1973 |
|
Draft circa 1973 |
|
Draft circa 1973 |
|
Drafts, Notes, Poems circa 1973 |
|
Original Manuscript undated |
|
Publicity 1974-1975 |
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|
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| Description |
Container |
Draft 1976 |
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|
|
|
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| Description |
Container |
Draft 1975 |
|
Draft (A) circa 1975 |
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Draft (B) circa 1975 |
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Master's Set 1st Pass circa 1975 |
|
Publicity, Correspondence 1964-1976 |
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|
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| Description |
Container |
Correspondence 1977 |
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Colorado State Historical Society 1977 |
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FSA Prints 1938-1940 |
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"The Grassroots People: An American Requiem" 1978 |
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"The Grassroots People of Colorado" 1976 |
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Notes circa 1970's |
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Notes, Clippings 1977 |
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Notes, Draft circa 1970's |
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Notes, Drafts circa 1970's |
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Notes, etc. 1976-1978 |
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Notes: Mountains circa 1970's |
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Publicity 1979 |
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Publicity 1979 |
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Publicity 1979 |
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|
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| Description |
Container |
Clippings undated |
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Correspondence 1974-1979 |
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Draft |
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Galleys undated |
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Grandmother Bertha 1987 |
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Miscellaneous Articles 1973-1984 |
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Miscellaneous Publications 1981 |
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Mountain Ute Indians 1976-1978 |
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Mountain Ute Indians circa 1978 |
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Photo Releases 1978 |
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Southern Ute Indians 1976 |
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Southern Ute Indians 1977 |
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Notes, Drafts 1977 |
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Publicity 1979 |
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Publicity 1980 |
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Final Galley 1978 |
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Libretto 1974-1977 |
|
The Wellspring 1978 |
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|
|
| Description |
Container |
Draft circa 1979 |
|
Draft circa 1979 |
|
Draft circa 1979 |
|
Draft circa 1979 |
|
Draft circa 1979 |
|
Draft circa 1979 |
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Final Manuscript 1979 |
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Copy Edits (A) 1980 |
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Copy Edits (B) 1980 |
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Final Galley 1980 |
|
Publicity 1980 |
|
|
|
| Description |
Container |
Draft 1982 |
|
Draft 1982 |
|
Draft circa 1983 |
|
Draft 1983 |
|
Draft 1983 |
|
Draft 1983 |
|
Draft circa 1983 |
|
Draft 1983 |
|
text circa 1983 |
|
Rejected Pages 1983 |
|
|
|
| Description |
Container |
Taos Pueblo Research 1963 |
|
Taos Pueblo Research circa 1960's-1980's |
|
Tewa Research 1994 |
|
Notes 1980-1984 |
|
Notes 1985 |
|
Notes 1986 |
|
Notes 1984-1986 |
|
Notes 1985-1987 |
|
Notes 1987 |
|
Notes circa 1987 |
|
Clippings 1968-1988 |
|
Endorsements 1985 |
|
Funding Sources 1968-1987 |
|
Grants 1985 |
|
Oral History Project Proposal 1984 |
|
Releases 1985 |
|
Photography Notes 1988 |
|
Smithsonian 1987 |
|
Manuscript Draft Bits circa 1987 |
|
Drafts, Miscellaneous 1986 |
|
Draft, Introduction 1987 |
|
Chapter I circa 1987 |
|
Chapter II circa 1987 |
|
Part III 1987 |
|
Chapter IV undated |
|
Near Final Draft undated |
|
Comments on Manuscript 1988 |
|
Vine Deloria, Jr. Introduction 1988 |
|
Taos Pueblo Exhibit 1989 |
|
Taos Pueblo undated |
|
Library Talk 1989 |
|
Taos Pueblo Controversy 1989 |
|
Taos Pueblo Publicity 1989 |
|
The Taos Pueblo Poems undated |
|
Frankie and the Orphan undated |
|
The Littlest Indian undated |
|
|
|
| Description |
Container |
Correspondence 1985-1989 |
|
Dust Bowl Undated |
|
NEH Proposal 1985 |
|
Heartland Draft Undated |
|
Hispanic Villages Notes undated |
|
New Deal in New Mexico, Notes undated |
|
New Deal Research undated |
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Pie Town: Edd Jones Journal undated |
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Pie Town USA Sample Chapter 1987 |
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Pie Town Notes 1986 |
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Pie Town Notes 1987 |
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| Description |
Container |
Correspondence 1992 |
|
Draft 1994 |
|
Notes 1994 |
|
Publicity 1994 |
|
Frank Howell Monotypes 1987 |
|
The Spirit Walker Trilogy undated |
|
|
|
| Description |
Container |
Notes 1994 |
|
Draft 1994 |
|
Galleys 1994 |
|
|
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| Description |
Container |
Correspondence 1994-1995 |
|
Draft 1994 |
|
Draft circa 1994 |
|
Draft circa 1994 |
|
Publisher Revisions 1994 |
|
Edits by Tammilou 1994 |
|
Galleys: 1st Pass 1994 |
|
Publicity 1995-1996 |
|
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| Description |
Container |
Correspondence 1995 |
|
Draft 1994 |
|
Draft 1995 |
|
Draft 1995 |
|
Draft 1995 |
|
Draft 1995 |
|
Draft 1995 |
|
Draft - Karen's edits 1995 |
|
Draft - Notes to Karen 1995 |
|
Draft - Letter to Karen 1995 |
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Draft - Robert's edits 1995 |
|
Poems 1994 |
|
Poems 1995 |
|
Publicity 1996 |
|
Galley's 1996 |
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| Description |
Container |
Alternates/Rejects 1916-1997 |
|
Art undated |
|
Art undated |
|
Art undated |
|
Art undated |
|
Art undated |
|
Art undated |
|
Art undated |
|
Art undated |
|
Art Rejects undated |
|
Bibliography circa 1997 |
|
Correspondence 1995-1998 |
|
Descriptions of Authors circa 1997 |
|
Draft 1916-1997 |
|
Draft 1916-1997 |
|
Draft 1916-1997 |
|
Draft 1916-1997 |
|
Draft 1916-1997 |
|
Draft 1916-1997 |
|
Draft 1916-1997 |
|
Draft Bits 1916-1997 |
|
Illustrations circa 1997 |
|
Introduction 1996 |
|
Intro Final 1996 |
|
Larry Littlebird 1993 |
|
Miscellaneous 1995 |
|
Notes From Sources (A) 1916-1997 |
|
Notes From Sources (B) 1916-1997 |
|
Notes, Research 1882-1995 |
|
Permissions 1996 |
|
Publicity 1997 |
|
Publicity 1998 |
|
|
|
| Description |
Container |
Correspondence 1996-1997 |
|
Draft 1997 |
|
Draft 1996-1997 |
|
Draft 1997 |
|
Draft 1997 |
|
Inserts 1997 |
|
Miscellaneous circa 1997 |
|
Sacred Fire Draft 1998 |
|
Galleys 1997 |
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| Description |
Container |
Los Pueblos Perditos Notes 1993 |
|
Early Versions 1994 |
|
Notes 1994 |
|
Thunderman 1994 |
|
The Thunderman Trilogy 1994 |
|
Thunderman Trilogy 1994 |
|
Los Pueblos Perditos 1994 |
|
Early Drafts circa 1995-1996 |
|
Parts 6 and 7 circa 1994-1998 |
|
Part 1 Cuts circa 1994-1998 |
|
Part One circa 1994-1998 |
|
Part Two circa 1994-1998 |
|
Part Three circa 1994-1998 |
|
Part Two circa 1994-1998 |
|
Part Three circa 1994-1998 |
|
The Thunderwoman Trilogy circa 1994-1998 |
|
The Thunderwoman Trilogy circa 1994-1998 |
|
Set of Edits circa 1994-1998 |
|
Chapters 1-17 circa 1994-1998 |
|
Chapters 9-18 circa 1994-1998 |
|
Part 3/Chapters 18-20 circa 1994-1998 |
|
Chapters 18-26 circa 1994-1998 |
|
Chapters 29-31 circa 1994-1998 |
|
Part Two circa 1994-1998 |
|
Titles Thunderwoman circa 1994-1998 |
|
Seeds of Revolt 1996 |
|
Revolt - Before and After 1996 |
|
North Pole 1996 |
|
Onate's Feet 1996 |
|
Part III 1996 |
|
Full Draft 1996 |
|
Poetry 1996 |
|
Poems 1996 |
|
Poems 1996 |
|
Poems 1996 |
|
Poetry 1997 |
|
Final Poetry 1995-1997 |
|
Final Poetry 1997 |
|
Poetry Complete 1998 |
|
Coronado 1996-1997 |
|
Departure from Arenal 1996-1997 |
|
Creation 1996-1997 |
|
Semi-final 1996-1997 |
|
Old Version 1996-1997 |
|
Part 1 Myths 1997 |
|
Kobili/Sayah 1997 |
|
Thunderwoman Part I 1997 |
|
Chapters 39-41 1997 |
|
Sayah 1997 |
|
Pages, notes, odd bits 1997 |
|
Parts 2 and 3 cuts 1997 |
|
Draft 1997 |
|
Draft 1997 |
|
Alternate ending 1997 |
|
Clippings - Onate 1997-1998 |
|
Lotz's Edits 1997-1998 |
|
Part 4 Lotz's Comments 1998 |
|
K. Lotz's Comments circa 1998 |
|
Lotz's Final Corrections (A) 1998 |
|
Lotz's Final Corrections (B) 1998 |
|
Final Version 1998 |
|
Read by Richard Erdoes (A) 1998 |
|
Read by Richard Erdoes (B) 1998 |
|
Draft 1998 |
|
Graphics undated |
|
Correspondence 1997 |
|
Publicity and Correspondence 1998 |
|
Advance, Uncorrected Proof (bound, signed) 1953-1998 |
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|
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| Description |
Container |
Congdon, Don 1996 |
|
Correspondence 1997-1998 |
|
Drafts 1995-1996 |
|
Drafts 1995-1998 |
|
Drafts 1996 |
|
Drafts 1996 |
|
Drafts 1996 |
|
Drafts 1997 |
|
Drafts 1997 |
|
Drafts 1998 |
|
Drafts undated |
|
Drafts 1999 |
|
Johnston, Carolyn 1997 |
|
Lichtenberg, Maggie 1997 |
|
Notes 1996 |
|
Rejected Pages 1996 |
|
Virginia's Copy 1996 |
|
Scraps 1996 |
|
Weiss, Greg 1996 |
|
Wight, Karen 1996 |
|
|
|
| Description |
Container |
Draft 1999-2003 |
|
Drafts, correspondence 2001 |
|
Draft 2003 |
|
Layout, comments 2004 |
|
|
|
| Description |
Container |
Comments, Correspondence 1999-2004 |
|
Draft 2003 |
|
Draft 2004 |
|
Draft 2004 |
|
More Tales from the Creation Kitchen 2005 |
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|
|
|
| Description |
Container |
Draft 2000 |
|
Publicity 2004 |
|
Artists' sketches 2004 |
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|
|
| Description |
Container |
Drafts 2007 |
|
Publicity 2008 |
|
|
|
| Description |
Container |
Draft 2008 |
|
Draft 2008 |
|
Draft 2008 |
|
Draft 2008 |
|
|
|
| Description |
Container |
Cassidy, Father Walter 1987 |
|
Chavez, Blas 1987 |
|
Collier, John 1985
Audio shifts channels and distorts on CD 4
|
|
Lee, Russell and John Collier - Museum of N.M 1985 |
|
Concha, Meko 1985 |
|
Cordova, Val 1986 |
|
Eagle, Annabelle 1981 Pertains to Ute libel suit |
|
Fast, Willard 1994 |
|
Gomez, Sandy 1985 |
|
Lee, Russell 1985 |
|
Lujan, Bobby and Crusita Romero - Taos Pueblo 1985 |
|
Many Winters Undated |
|
McKee, Roy - Pie Town 1985 |
|
McKee, Roy, Rex, Granny, Roy 1985 |
|
Monk, Jan 1986 Nancy talks about her work.
Low frequency buzz on CD 24
|
|
Norris, Rex, Redshirt 1985-1986 |
|
Reyna, Sharon - Taos Pueblo 1985 |
|
Thunderwoman interview undated |
|
Wood talk 2004 |
|
Letter to Nancy undated |
|
Oral History with Nancy Wood 2012 Conducted by Carolyn McSherry.Nancy talks about how she got started as a
writer, how she began writing about the Taos Pueblo, her renunciation of
Christianity for a nature-based spirituality, the authors who influenced
her work, the ways her works relate to each other, how she started
writing poetry, her childhood and her grandparents, how she got started
as a photographer and her relationship with Roy Stryker, and how she
related to the subjects of her photography, among other themes. |
|
Wood Interview 2008 |
|
Nancy Wood - Speaking on New Mexico, Taos Pueblo, Roy Stryker,
FSA projects, learning and beginning her career in photography, writing,
and her archival collection. (Recorded by Jack Loeffler) 2009 |
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