Collection Summary

Old Time Fiddlers’ Contest, Truth or Consequences, New Mexico,   April 28, 1973

#1 Fiddle Time

#2 Levit Ragtime

#3 Boil Them Cabbages Down, Breakdown, Ramond Rapliff (or Raymond Ratliff), Sacramento, California

#4 Dee Waltz, Raymond Rapliff (D Waltz)

#5 That There Lady, Raymond Rapliff (Ragtime Waltz)

#6 Ripley’s Hornpipe, Breakdown, Bill Base (or Bill Bates, Tularosa, New Mexico) (Rickets Hornpipe)

# 7 Amarillo Waltz, Bill Base

# 8 Tequila Rag, Bill Base

# 9 Git Along Home Sandy, Breakdown, Scott Haggie, New Mexico

# 10 Over the Waves, Scott Haggie

# 11 Rancho Grande, Scott Haggie

# 12 Soldier’s Joy, Breakdown, Charles Simpson, Albuquerque, New Mexico

# 13 Down in the Cherry Orchard, Charles Simpson

# 14 Rubber Dolly, Charles Simpson

# 15 Flop Eared Mule (breakdown), Elliot Koffman, Albuquerque, New Mexico (or L. H. Kaufman)

#16 My Heart Cries for You, Elliot Koffman

#17 Pop Along, Elliot Koffman (Hop Along?)

#18 Fiddle Tune (possibly Clyde Diggs, Truth or Consequences) ( Hiccup Up Song)

#19 Wednesday Night Waltz (possibly Junior Dougherty, Mesilla Park – or Daugherty)

#20 Waltz

#21 Grey Eagle, Van Cunningham, Bobfish, California

#22 Cannonball Waltz, Van Cunningham

#23 One Hundred Pipers, Van Cunningham (100 Pipers)

#24 Ragtime Annie, John Harding, El Paso, Texas

#25 Sweet Bunch of Daisies, John Harding

#26 Maiden’s Prayer, John Harding

#27 Tom and Jerry, Dion Bass, Tularosa, New Mexico (or Deedon Bates)

#28 Paris Waltz, Dion Bass

#29 Maiden’s Prayer, Dion Bass

#30 West Virginia Hornpipe, Woody Spinks (or Woody Spates, Thoreau, New Mexico)

#31 The Waltz You Save for Me, Woody Spinks

#32 Faded Love, Woody Spinks (tape ran out)

#33 Fiddle Tune

#34 Varnish Waltz

#35 Little Joe

#36 Devil’s Dream, Pat Gardy (or Pat Dougherty, Truth or Consequences, New Mexico)

#37 Goodnight Waltz, Pat Gardy

#38 Spanish Two-Step, Pat Gardy (Spanish 2 step - pasa doble)

#39 Fiddle Tune (Waltz Across Texas, in memory of E. D. Loop)

#40 Waltz, Junior Dougherty and Group

#41 Fiddle Tune (Trick and Fancy Fiddle), Elliot Stone

#42 Shot in the Bush (Trick and Fancy Fiddle), Elliot Stone

#43 Hiccup Waltz

#44 Fiddle Breakdown (Trick and Fancy Fiddle), Dion Baisley

#45 Waltz, Junior Dougherty

#46 Pop Goes the Weasel

#47 Orange Blossom Special, Dick Berry

#48 Listen to the Mockingbird, William Mitchell

#49 Conclusion of the Trick and Fancy Fiddling, Announcer

#50 Jolie Blond

#51 Jesusita en Chihuahua

#52 Announcement of Winners, Announcer

1st place in trick fiddle – Elliot Koffman (or L. H. Kaufman)

2nd place in trick fiddle – Clyde Keith

1st place in fancy fiddle – Dick Berry

2nd place in fancy fiddle – Junior Dougherty

3rd place in fancy fiddle – William Mitchell

4th place in fancy fiddle – Dion Bailey (or Dion Baisley)

5th place in fancy fiddle – Tommy Dougherty? (Tammy or Tommy Daugherty?)

#53 Fiddle Tune

#54 Announcement of Winners (Grand Championship Division), Announcer:

1st place – Dick Berry

2nd place – Junior Dougherty

Sixth Annual Albuquerque Inter Tribal Pow Wow, State Fair Grounds, Albuquerque, New Mexico,   June 8, 1973

Sponsored by the Albuquerque Inter Tribal Pow Wow Club, Joe Zura, Chippewa President; Master of Ceremonies, Reuben Snake, Winnebago-Sioux (See also Program for event in Box 3)

#55 Invocation – prayer, grand entry

#56 Gourd Dance, All Dancers and Everyone Dances; Discussion of the Dance, Kiowa Tia-Piah Society, Lawton, Oklahoma

#57 Indian Dance Number One, War Dance

#58 Indian Dance Number Two

#59 Kiowa Version of the National Anthem, Kiowa Singers, Ponca, Oklahoma, Kiowa Flag Song

#60 Reading of Greetings from Governor Bruce King, New Mexico – letter from the Governor

#61 Honor Song for Veterans, Kiowa Singers (Song for the Soldiers)

#62 Intertribal Dance

#63 Northern Style Song, Albuquerque Intertribal Club

#64 Indian Dance (Intertribal), Kiowa Singers

Continuation: Inter Tribal Pow Wow, Albuquerque,  June 8, 1973

#65 Announcements and Introductions: Introduction of Indian princesses, head dancers and singers. War dances, round dances, war dance contests for boys and girls, junior girls war dance contest, women’s shawl dance contest.

#66 Albuquerque Drummers Dance, Intertribal Dance

#67 Introduction of Pow Wow Princess

#68 Round Dance

#69 Northern Style Intertribal Music

#70 Intertribal Drum Song

#71 Indian Song

#72 Drum Song, Albuquerque Intertribal Club

#73 Boy’s Dancing Finals Contest

#74 Contest Song

#75 Contest Song

#76 Contest Song

#77 Announcements

#78 Hoop Dance, Head Drummers

Lecture by John Donald Robb, UNM Library Lecture Series 1973-1974,   May 2, 1974

#79 Uses of Folk Archives in Musical Composition, John Donald Robb, lecture

First Native American Folk Festival, Native American Contemporary Singers and Composers, Navajo Community College, Tsaile, Arizona,  November 25, 1974

See program in Box 3

#80 Sandman, Bruce Hamana, Hopi folk singer and Tyrone Duwyenie (or Tyrone Duwaine or Tyrone Duweie)

#81 Girl, Bruce Hamana and Tyrone Duwyenie

#82 I Found Somebody New, Bruce Hamana and Tyrone Duwyenie

#83 Peace is Within You, Bruce Hamana and Tyrone Duwyenie

#84 Down at the Can Can, Bruce Hamana and Tyrone Duwyenie

#85 Why,Why, Why? Bruce Hamana and Tyrone Duwyenie

#86 One Night, Bruce Hamana and Tyrone Duwyenie

#87 Message to Crystal, Bruce Hamana and Tyrone Duwyenie

#88 Be Free With Me, Bruce Hamana and Tyrone Duwyenie

#89 Fourth of July, Arlene, Nancy and Helena (Round Rock Demonstration School)

#90 Talk Concerning Traditional Songs

#91 Song, Boniface Bonnie (or Bonneface Bonnie or Bonney Face Bonney)

#92 Talk, Boniface Bonnie

Continuation: Native American Folk Festival, Navajo Community College, Tsaile, Arizona,  November 25, 1974

#93 Song and Discussion, Boniface Bonnie

#94 Song (Dine), Female Vocalist

#95 Yo Tur, Female Vocalist

#96 Navajo Indian Song, Female Vocalist

#97 Please Don’t Break My Heart, Female Vocalist

#98 Navajo Indian Song, Female Vocalist

#99 Translation of Boniface Bonnie’s talk, by Lena Tsiosdia, Navajo traditional singer (or Lena Tsosdia)

#100 Introduction by Manley Begay of Louise Tester, Executive Director, Arizona Commission on Arts and Humanities

#101 Speech, Louise Tester (An Overview of the Commission on Arts and Humanities)

#102 Military Madness (Graham Nash), James Moore, Navajo folk singer (Vietnam War)

#103 Cowgirl in the Sand (Crosby, Stills, and Nash), James Moore

#104 Horse With No Name, James Moore

Continuation: Native American Folk Festival Navajo Community College, Tsaile, Arizona,  November 25, 1974

#105 Horse With No Name, continued, James Moore, Navajo folk singer

#106 Honky Tonk Sunset (Blues Jam), James Moore

#107 Down at the Can Can, Bruce Hamana, Hopi folk singer

#108 Why Can’t I Understand, Bruce Hamana

#109 Be Free with Me, Bruce Hamana

#110 Introduction and Welcome, Manley Begay

#111 Introduction, Phillip Cassadore, San Carlos Apache, traditional singer

#112 Lift Me Up Above the Troubled World, Phillip Cassadore

#113 Discussion of Song 112, Phillip Cassadore

#114 Song for a Horse, Phillip Cassadore

#115 Talk and Discussion, Phillip Cassadore

#116 Tribute to Navajo People and their Songs, Discussion of Navajo music, Phillip Cassadore

#117 Devil Dance Song and Discussion, Phillip Cassadore

#118 Talk, Manley Begay

#119 Cowgirl in the Sand, James Moore, Navajo folk singer

#120 Cry Baby Cry, James Moore

#121 Imagine, James Moore

Continuation: Native American Folk Festival Navajo Community College, Tsaile, Arizona,  November 25, 1974

#122 How Long Can You Stand Me? James Moore and Don Clark

#123 Spirit Revelation, James Moore and Don Clark (Spiritualism)

#124 Another Song We Got Together, James Moore and Don Clark

#125 Island in the Sky, James Moore and Don Clark

#126 Talk, Manley Begay

#127 Miss Navajo 1974 and Discussion, Barney Mitchell

#128 I Didn’t Quite Make It and Discussion, Barney Mitchell

#129 Let Your Granddaughter Dance and Discussion, Barney Mitchell

#130 Diné (The People), Lena Tsiosdia, Navajo traditional singer

#131 Song about the Navajo Community College, Tsaile, Lena Tsiosdia

Continuation: Native American Folk Festival Navajo Community College, Tsaile, Arizona,   November 25, 1974

#132 Song about Navajo Community College, continued, Lena Tsiosdia

#133 Mother- in- Law Song, Lena Tsiosdia

#134 Unidentified Song, Lena Tsiosdia (One Dollar Back?)

#135 Not Recorded

#136 Yo Tur, Lena Tsiosdia, Navajo traditional Singer (or Lena Tsosdia)

#137 Talk, Manley Begay

#138 Yei Be Chei Dance Team, Ruth Roessell, Navajo Studies Director and Navajo traditional singer (or Ruth Russell)

#139 Talk, Manley Begay

#140 Talk, Boniface Bonnie

#141 Translation of Number 140, Manley Begay

#142 Donkey Song, Ruth Roessel

#143 Hopi Navajo Land Dispute, Ruth Roessel

#144 Song, Ruth Roessel

#145 Moccasin Game Song, Ruth Roessel,

#146 Yei Be Chei song, Ted Bonney (Ted Bonnie)

#147 Talk, Boniface Bonnie

#148 Translation of Number Number 147, Manley Begay

Continuation: Native American Folk Festival, Navajo Community College, Tsaile, Arizona,  November 25, 1974

#149 Yei Be Chei Dancers, Ruth Roessel

#150 Not recorded

#151 Talk, Manley Begay

#152 Mother’s Song and Discussion, Tyrone Duwyenie (or Tyrone Duwaine, Tyrone Duweie)

#153 Talk and Song, Tyrone Duwyenie

#154 Georgia, Tyrone Duwyenie

#155 I Love you More Today Than Yesterday, Tyrone Duwyenie

#156 Introduction of Bruce Hamada, by Manley Begay

#157 Social Dance and Discussion, Bruce Hamada

#158 Message to Crystal and Discussion, Bruce Hamada

#159 Changing Woman Ceremony Song and Discussion, Bruce Hamada

#160 Announcements, Manley Begay

#161 Talk and Chant, Boniface Bonnie

#162 Translation of Number 161 and questions, Manley Begay

Continuation: Native American Folk Festival, Navajo Community College, Tsaile, Arizona,   November 25, 1974

#163 Boniface Bonnie (Bonney), talking to the seminar concerning Navaho customs, translated by Andy Natonabah and Ruth Roessel

Dog and cat discussion (traditional way is to have 4 dogs)

Beauty blessing ceremony should be done for you at least once a year

Vehicle is the same like a horse, horse discussion

Women’s traditions (why they dress like men)

Horse touching nose to the ground

Horse song, the horse always tries to tell you something through his actions and movements

#164 Phillip Cassadore, San Carlos Apache, traditional singer, talking to the seminar about Apache and other Indian customs

Why are Apache girls wearing pants (because they do not like the short skirts that do not hid the body) (clothing, styles)

Apache moral code has collapsed, Indian should not try to act like a White person

Financial system very tight and now cannot get a loan for a new record

Indians do not talk like this because we know how to survive

Sa Ba Dotch A Day song

Do non-Indians understand or appreciate my music

Why don’t parents tell children of Indian culture?

Continuation: Native American Folk Festival, Navajo Community College, Tsaile, Arizona,   November 25, 1974

#164 (continued) Phillip Cassadore, San Carlos Apache, traditional singer, talking to the seminar about Apache, Navajo and other Indian customs

Navajos still hold strong to their culture

Christianity and Bible stories confuse us and we commit suicide (religion)

Story of beginning of the Apache (creation myth, origin story)

#165 Talk by Boniface Bonnie, continuation of Discussion of Indian customs, translated by Andy Natonbah and Ruth Roessel,

#166 Beauty song - (Proud to be a Navaho, Lena Tsiosdia, Navajo traditional singer. Discussion: She sees that a lot of beauty is fading because of Christianity. Christianity has destroyed the Navaho culture. We need to listen to the Medicine man so we will not lose the culture. Navaho Community College is important to keep the culture. Good time songs, Navaho Community College song (mentions UNM)

#167 Talk and Song, Mary Kay

#168 Kiowa Legend Song, Laverna John, Shiprock, New Mexico- Apache Song and Discussion, Kiowa "49" Song (now the "49" songs are very fast because they are sung at drinking parties. They used to be sung slowly in honor of the soldiers, honor songs),

Navaho Goat song (children’s song), Laverna John learned the songs from I.A.I.A. Chorus, Ed Rapp, director, Institute of American Indian Arts (Santa Fe)

#169 Bluebird Song, Ruth Roessel, Show Game Song, Show Game Song (Antelope)

Continuation: Native American Folk Festival, Navajo Community College, Tsaile, Arizona,   November 25, 1974

#170 Talk and Song, Boniface Bonnie

#171 Talk, Ruth Roessel, Navajo Studies Director

#172 Introduction, Manley Begay, Co Chairman, Native American Folk Festival, 1974, Navajo Community College, Tsaile

#173 Long Black Veil, Regina Tsosie, Navajo folk singer

#174 If I were a Carpenter and Discussion, Regina Tsosie (Indian Folk Festival)

#175 Danny’s Song, Regina Tsosie

#176 Wedding Song, Regina Tsosie, Navajo folk singer

#177 Angel Hair (Composed by John Denver), Regina Tsosie

#178 Take Me Home, Country Road, Regina Tsosie

#179 Anticipation, Regina Tsosie

#180 Now That the Buffalo Is Gone, Regina Tsosie

#181 Diné, Lena Tsiosdia, Navajo traditional singer

#182 Talk, Manley Begay

#183a Sandman, Bruce Hamana and Tyrone Duwyenie

Continuation: Native American Folk Festival, Navajo Community College, Tsaile, Arizona,   November 25, 1974

#183b Sandman (continued) Bruce Hamana and Tyrone Duwyenie

#184 Somebody New, Bruce Hamana and Tyrone Duwyenie

#185 Peace is Within You, Bruce Hamana and Tyrone Duwyenie

#186 Down at the Can Can, Bruce Hamana and Tyrone Duwyenie

#187 Why Can’t I Understand, Bruce Hamana and Tyrone Duwyenie

#188 Introduction, Manley Begay

#189 Ribbon Dance, Chinle Indian Club

#190 Introduction, Manley Begay

#191 Don’t Let the Sun Catch You Crying, Wilfred Numkena, Hopi, Country Rock Singer

#192 Talk, Wilfred Numkena

#193 Kiss an Angel Good Morning, Wilfred Numkena

#194 Me and Bobbie Mcgee and Discussion, Wilfred Numkena

#195 Talk, Wilfred Numkena, Hopi, Country Rock Singer

Continuation: Native American Folk Festival Navajo Community College, Tsaile, Arizona,   November 25, 1974

#196 Silver Wings, Wilfred Numkena

#197 I Can’t Help Falling in Love with You (Elvis Presley), Wilfred Numkena

#198 Help Me Make it Through the Night (Kris Kristofferson), Wilfred Numkena

#199 Talk and Introduction, Manley Begay

#200 Talk on Navajo Culture, Boniface Bonnie (see related above)

#201 Translation of Number 200 – talk by Boniface Bonnie, by Manley Begay. Bonnie commented about singing of Wilfred Numkena. You have feeling for all living things. People ask questions about their purposes in life. Young people don’t have respect for elders maybe because young children feed on Carnation Milk instead of mother’s milk. Also talk about Chinle High School Indian Club. They participate in dance contests and have won many honors with their fancy, war dances, etc. Comments on the Trial of Billy Jack.

#202 Song, Boniface Bonnie (mentions Navajo Community College)

#203 Song - Dance, Boniface Bonnie

#204 Song - Dance, Boniface Bonnie

Continuation: Native American Folk Festival, Navajo Community College, Tsaile, Arizona,  November 25, 1974

#205 Talk and Introduction, Manley Begay

#206 Song of Gan and Discussion (Mountain Spirit Dance, Devil Dance, or Crown Dance), Phillip Cassadore

#207 Navajo Song, Phillip Cassadore

#208 Talk and Introduction, Manley Begay

#209 Pass Me By If You’re Only Passing Through, Wilfred Numkena,

#210 Talk and Introduction, Manley Begay

#211 Young Girl Looking for Love, Rod Skenedore, Blackfoot - Onieda, contemporary folk singer

#212 Sing Me a Bluesong, Rod Skenedore

#213 The Right Path, Rod Skenedore

#214 I Have Everything but You, Rod Skenedore

#215 How Funny Love Can Be, Rod Skenedore

#216 Life For You Is…and Discussion, Rod Skenedore

#217 Acting Like We’ve Never Met (Bob Dylan), Rod Skenedore,

Continuation: Native American Folk Festival, Navajo Community College, Tsaile, Arizona,  November 25, 1974

#218 Introduction, Manley Begay

#219 Who Discovered America? Bryan Jon (Christopher Columbus, First Contact)

#220 Little Bigfoot and Wounded Knee, Bryan Jon

#221 Go Back Mr. White Man, Bryan Jon

#222 Three Battles, Bryan Jon

#223 For Wounded Knee, Bryan Jon

#224 Indian Cars, Bryan Jon

#225 If I were a Carpenter, Bryan Jon

#226 Take Me Home Country Road, Bryan Jon

#227 Look in History, Bryan Jon

#228 Talk and Song, Boniface Bonnie, introduced by Manley Begay

#229 America, Red, White, and Black - With Discussion, Floyd Westerman, Standing Rock Sioux, Indian folk singer (Sisseton Sioux)

Continuation: Native American Folk Festival Navajo Community College, Tsaile, Arizona,  November 25, 1974

#230 Missionary Song, Floyd Westerman

#231 Talk about Jesus Christ and the Indian, Floyd Westerman (Christianity, religion

#232 Billy the Kid, Floyd Westerman (William Bonney)

#233 Knocking on Heaven’s Door, Floyd Westerman

#234 Going Back, Floyd Westerman

#235 Anthropology and Discussion, Floyd Westerman

#236 B.I.A. and Discussion, Floyd Westerman (Bureau of Indian Affairs)

#237 To A.I.M., Floyd Westerman (American Indian Movement – AIM) #238 35 Miles and Discussion, Floyd Westerman

#239 Beat the Devil and Discussion, Floyd Westerman

#240 Custer Died for Your Sins, Floyd Westerman

Continuation: Native American Folk Festival, Navajo Community College, Tsaile, Arizona,  November 25, 1974

#241 "49" Song and explanation of meaning of "49" and Discussion of honor songs, Paul Ortega, Mescalero Apache (Songs for soldiers)

#242 I’m Just a Hippy Hopi from Oraibi and Discussion, Paul Ortega

#243 Just a Handshake, Paul Ortega

#244 Eskimo Flute (with electronic echo), Paul Ortega

#245 Trails, Paul Ortega

#246 Traveling Song, Paul Ortega

#247 Talk and Introduction, Manley Begay

#248 To Larry Casuse, Robert Nakaidine, Navajo (Larry Casuse, Navajo Indian activist, UNM student, killed by police in Gallup)

#249 Black Mesa, Robert Nakaidine

#250 The City, Robert Nakaidine (Urban Indians)

#251 Dirty System, Robert Nakaidine

#252 Your Smile, Robert Nakaidine

Continuation: Native American Folk Festival, Navajo Community College, Tsaile, Arizona,  November 25, 1974

#253 Legends, Robert Nakaidine

#254 While Riding My Horse, Robert Nakaidine

#255 Four Corners, Robert Nakaidine

Continuation: Native American Folk Festival,Navajo Community College, Tsaile, Arizona,  November 25, 1974

#256 Talk, Rod Skenedore

#257 Young Girl Looking for Love, Rod Skenedore

#258 Sing Me a Blues Song, Rod Skenedore

#259 Talk, Rod Skenedore

#260 Long Black Veil, Regina Tsosie

#261 Wedding Song, Regina Tsosie

#262 Angel from Montgomery, Regina Tsosie

#263 Now That the Buffalo Is Gone, Regina Tsosie

Southwest Poet Conference, Native American Poets, Voices Singing, Navajo Community College, Tsaile, Arizona,   July 3-6, 1974

#264 Beauty Way (Blessing ceremony, prayers connected with 4 sacred mountains), Andrew Natonabah, Navajo

#265 Chant, Andrew Natonabah

#266 Introduction of Simon J. Ortiz, by Toney Lee, Navajo, Navajo Community College Student

#267 Simon J. Ortiz, Voices Singing comes from the spiritual essence of all that we are a part of (sky, air, animals, earth). The voice that makes the Indian person humble recognizes that he is only one of many parts.

#268 Introduction of Dr. Lloyd House, by Tony Lee

#269 Remarks by Dr. Lloyd House, welcome to the college and that conferences like these make poetry true.

#270 Introduction of Phillip Cassadore, by Tony Lee (Phillip Cassador)

#271 Remarks, Phillip Cassadore

#272 Song, Phillip Cassadore (Song sung before 1933, of an Apache vision - Indian people will be lifted up and the world will be destroyed, Apache vision of end of the world)

#273 Slanted Eyed Girls Across the Sea Song, Phillip Cassadore, (Asian girls)

#274 Upon Seeing Mt. Taylor (coming back from the Long Walk), Phillip Cassadore, Navajo Long Walk Song

#275 Introduction of Laverna John, Navajo, Shiprock, New Mexico, by Toney Lee

#276 My Beautiful Land Song, Laverna John

#277 Red Shirt Song, Laverna John

#278 Song taught by Laura Williams, Laverna John

#279 Apache Song, from IAIA Chorus of Santé Fe, Laverna John (Institute of American Indian Arts)

#280 Introduction of Play and Announcements, by Tony Lee, Hopi Navajo Land Dispute Play, by Navajo Community College students (drama, theater)

Continuation: Southwest Poet Conference, Navajo Community College, Tsaile, Arizona,   July 3-6, 1974

#281 Navajo Hopi Land Dispute Play, by Navajo Community College students, continued

#282 Panel Discussion and Announcements: Southwestern Indian: People, Places, and Words Panel: Simon Ortiz (Acoma), Harold Littlebird (Santo Domingo), Carl N. Gorman (Navajo), Phillip Cassadore (San Carlos Apache), Andrew Natonabah (Navajo) Discussion: Traditional Literature from Oral Traditions of the Southwest Indians, Harold Littlebird and Carl Gorman

Continuation: Southwest Poet Conference, Navajo Community College, Tsaile, Arizona,   July 5, 1974

#283 Panel Discussion: Southwestern Indian: People, Place and Words, comments on traditions, beliefs

-Andrew Natonabah: Navajo has own child raising traditions, education, home economics, science, history, literature (oral traditions)

-Phillip Cassadore: Secrets of life only given to American Indians. Who can control lighting? White man is controlled by scientist. An Indian started from a woman (not a man). The land on which we live is in the shape of a woman.

-Carl Gorman: First woman, salt woman, mountain woman, 5 other women. All have power to offer man. Woman has power over man. Traditional camp sites must have 5 sticks.

-Simon Ortiz: Translations - What do stories mean. White man wants you to explain it precise, analytical, scientific terms, but you cannot. The meaning of a song is often in the sound and movements. Words are too precise. The meaning

is inside you and how it makes you feel. -Harold Littlebird: Did not grow up on pueblo. Did not know what Indian life was all about until junior high school. Indian people do not say this is what you should know. It is in your heart. Attitude - to remember who you are and

where you came from, words do not have specific meaning but you have the attitude and you understand the meaning. Stories and legends create this.

Continuation: Southwest Poet Conference, Navajo Community College, Tsaile, Arizona,  July 5, 1974

#284 Introduction of Poetry Readings, by Tony Lee

#285 Beauty Song, Harold Littlebird

#286 Poetry Reading, Joy Harjo

#287 Poetry Reading, Andrea ? (Andrea Kel, Hupa Indian, Northern California)

#288 Music, Tony Lee

#289 Readings: Tomorrow, Tony Lee and Zonnie, Carl Gorman

#290 Teasing and Love Song

#291 Jahónnehe (Beautiful Mountain), Joanna (?)

Continuation: Southwest Poet Conference, Navajo Community College, Tsaile, Arizona,   July 5, 1974

#292 Evening Concert Announcements and Introductions, Barney Mitchell, Master of Ceremonies

#293 Song, Phillis Hengo

#294 Song, Phillis Hengo

#295 Fishing Victory Song, Harold Littlebird

#296 Ballad of the Little Big Horn, Harold Littlebird (Custer Battle)

#297 Name Origin Song, Harold Littlebird (origin of Indian names)

#298 Healing Power Song, Harold Littlebird

#299 Song for a Birthday, Harold Littlebird

#300 Introduction of Laverna John, Shiprock, New Mexico, by Barney Mitchell

#301 Beautiful Land Song, Laverna John

#302 Apache War song, Laverna John

#303 Squaw Dance Song, Laverna John

#304 Bone Song and Discussion, Laverna John

#305 Saro, Saro…. Laverna John

#306 Introduction of Andrea Kel, Hupa Indian, Northern California, by Barney Mitchell

#307 Brush Dance and Discussion, Andrea Kels

#308 Love Song and Discussion, Andrea Kels

#309 White Deerskin Song, Andrea Kels

#310 Boat Dance, Andrea Kels

#311 Problems in Singing, Barney Mitchell

#312 I Didn’t Quite Make It, Barney Mitchell

#313 Reaching for Love, Barney Mitchell

#314 My Old Friend and Discussion, Barney Mitchell

Continuation: Southwest Poet Conference, Navajo Community College, Tsaile, Arizona,  July 5, 1974

#315 Reasons for playing the drum, Barney Mitchell

#316 Bye Bye Love and Discussion, Barney Mitchell

#317 Panel Discussion: Southwestern Indian Literature

Panel: Carl Gorman, Simon Ortiz, Barney Mitchell, and Harold Littlebird

Continuation: Southwest Poet Conference, Navajo Community College, Tsaile, Arizona,   July 5, 1974

#318 Continued: Panel Discussion: Southwestern Indian Literature

Continuation: Southwest Poet Conference, Navajo Community College, Tsaile, Arizona,   July 5, 1974

#319 Beginning of Interview of Curly Mustache, Navajo history, stories and traditions. He is 100 years old, oral history – memories of Navajo history before he was born. He lives nearby the Navajo Community College campus. Interviews in Navajo language, translations to English. (or Curly Moustache)

#320 Translation of Number 319

#321 Interview, Curly Mustache

#322 Translation of Number 321

#323 Interview, Curly Mustache

#324 Translation of Number 323

#325 Interview, Curly Mustache

#326 Translation of Number 325

#327 Interview, Curly Moustache

#328 Translation of Number 327

#329 Interview, Curly Mustache

#330 Translation of Number 329

#331 Interview, Curly Mustache

Continuation: Southwest Poet Conference, Navajo Community College, Tsaile, Arizona,  July 5, 1974

#332 Translation of Number 331 – interview with Curly Mustache

#333 Interview, Curly Mustache

#334 Translation of Number 333

#335 Interview, Curly Mustache

#336 Translation of Number 335

#337 Interview, Curly Mustache

#338 Translation of Number

#339 Interview, Curly Mustache

#340 Translation of Number 339

#341 Interview, Curly Mustache

#342 Translation of Number 341

#343 Interview, Curly Mustache

#344 Translation of Number 343

#345 Interview, Curly Mustache)

#346 Translation of Number 345

#347 Planting of Trees Song and Discussion, Phillip Cassadore

#348 Happy Gathering Song, Phillip Cassadore

#349 Study of Indian songs, Phillip Cassadore

#350 The Awakening (the Baby Waking), poetry, Phillip Cassadore (Children’s story)

#351 The Creation According to Coyote, poetry, Phillip Cassadore (Creation myth)

#352 Hawks Circle, poetry, Phillip Cassadore

#353 A Wind of Vision, Phillip Cassadore

#354 Family Child Poems, Phillip Cassadore (Children’s poems)

Old Time Fiddlers’ Contest, Truth or Consequences, New Mexico,   May 2, 1975

#355 Woodchoppers Reel, Sol Rodney, Phoenix, Arizona, fiddler (Wood chopper)

#356 Kentucky Waltz, Sol Rodney

#357 Galloway Schottisch, Sol Rodney

#358 Wagner Breakdown, Earl Volk (or Earl Voke, Burger, Texas, fiddler) (Wager)

#359 Just Because, Earl Volk

#360 Repeat of 359, Earl Volk

#361 Fiddle Tune, Lee Blackwell, Birmington, Washington, fiddler

#362 Tennessee Waltz, Lee Blackwell

#363 San Antonio Rose, Lee Blackwell

#364 Snow Deer, Robin Cox (or Roben Cox, or Robin Fox)

#365 You Pick Waltz, Robin Cox

#366 Faded Love, Robin Cox

#367 Turkey in the Straw, Clyde B. Williamson, Las Cruces, New Mexico, fiddler

#368 Midnight, Dan Boatwright

#369 Liberty, Dan Boatwright

#370 Twinkle, Dan Boatwright (Twinkle, Twinkle Little Star)

#371 Mississippi Soldier, Don House (or Dona House, Las Cruces, New Mexico, fiddler)

#372 Fiddle Tune (own composition), Perry L. Loomis (or V. L. Loomis, Wisconsin, fiddler)

#373 Golden Slippers, Perry L. Loomis

#374 Whiskey Before Breakfast, Vic Oberton

#375 Fancy Hollbrook, Vic Oberton

#376 Old Dark Horse, Vic Oberton

#377 Tugboat Breakdown, John Harding, El Paso, Texas, fiddler

#378 Festival Waltz, John Harding

#379 Kansas City Blues, John Harding

#380 Cricket on the Hearth, Jay Belt, Phoenix, Arizona, fiddler

#381 Georgian Moon Waltz, Jay Belt (Georgiana Moon)

#382 Hoboe Jim, Jay Belt

Old Time Fiddlers’ Contest, Truth or Consequences, New Mexico,   May 2, 1975

#383 Lost Indian, Woody Spinks, Grants, New Mexico (Thoreau)

#384 Waltzing Hiawatha, Woody Spinks (Hiawathia)

#385 Faded Love, Woody Spinks

#386 Dorothy Miller Breakdown, Dick Barrett, Popsboro, Texas (Forth Worth, Texas) (Dusty Miller)

#387 Martin Waltz, Dick Barrett (Martin’s Waltz)

#388 Clarinet Polka, Dick Barrett (Little Joe)

#389 Leather Britches, Tammy Dougherty (J.R.’s daughter, Truth or Consequences, New Mexico, 13 years old, 1975) (or Junior Dougherty, Mesilla Park) (first part of Leather Britches not recorded)

#390 Westphalia Waltz, Tammy Dougherty

#391 Snow Deer, Tammy Dougherty

392 Grey Eagle Breakdown, Kervin Reed (or Justin Reed, Payson, Arizona, fiddler)

#393 Wednesday Night Waltz, Kervin Reed

#394 King George, Kervin Reed

#395 Sally Thompson Breakdown, J.C. Broughton (Sapulpa, Oklahoma, fiddler)

#396 Blue Valley Waltz, J.C. Broughton (Valley Waltz)

#397 Black and White Rag, J.C. Broughton

Old Time Fiddlers’ Contest, Truth or Consequences, New Mexico,   May 2, 1975

#398 Turkey in the Straw, Johnny Mitchell (or Johnny Meecham, Arkansas, fiddler)

#399 Missouri Waltz, Johnny Mitchell

#400 Swinging Doors Waltz, Johnny Mitchell

#401 Rutland Reel, Fred Wood, Alamogordo, New Mexico, fiddler, Third Place, 1975

#402 Memory Waltz, Fred Wood

#403 Clarinet Polka, Fred Wood

#404 Sally Goodin, Olin R. James (fiddler, 14 years old, 1975)

#405 Goodnight Waltz, Olin R. James

#406 El Rancho Grande, Olin R. James

#407 Ol’ Joe Clark, Tom Dougherty, Truth or Consequences, New Mexico, fiddler

#408 Put Your Little Foot, Tom Dougherty

#409 You Are My Sunshine, Tom Dougherty

#410 Ragtime Annie, John Barnhouse

#411 Liberty Rag, John Barnhouse

#412 Down in the Valley, John Barnhouse

#413 Billy in the Low Ground, Bill King, Shamrock, Texas, fiddler (or Bill Kane)

#414 Somewhere My Love, Bill King

#415 Cotton patch Rag, Bill King

#416 Blue Mountain Rock Rag, Wes Nevins (Beauman,Texas, fiddler)

#417 Over the Waves, Wes Nevins

#418 Lone Star Rag Number 2, Wes Nevins

#419 Liberty Rag, Dale Mirrett, La Mesa, Texas, fiddler (or Dale Merritt)

#420 Westphalia Waltz, Dale Mirrett

#421 Spanish Two-Step, Dale Mirrett (Spanish 2 – step, pasa doble)

#422 Cindy Breakdown, Bud Brian, Albuquerque, New Mexico

#423 Westphalia Waltz, Bud Brian

#424 I Don’t Love Nobody, Bud Brian

#425 Sally Johnson Breakdown, Harris A. Brown, Bloomfield, New Mexico, fiddler

#426 50 Years Old Waltz, Harris A. Brown (Fifty Years Old Waltz)

#427 Jessie Polka, Harris A. Brown

#428 Over the Seas Waltz, Glenn Moorehouse (or Glen Moorehouse, Las Vegas, New Mexico, fiddler)

#429 Maggie Breakdown, Glenn Moorehouse

#430 Soldier’s Joy, Glenn Moorehouse (Soldiers Joy)

Old Time Fiddlers’ Contest, Truth or Consequences, New Mexico,   May 2, 1975

#431 Go Tell Aunt Rhody (The Wheel), (Go Tell Aunt Roady) Scott Haggie, fiddle and Lee Blackwood, guitar (or Scott Hagle, or Scott Hagay, fiddler)

#432 I Have a Mansion, Scott Haggie, fiddle and Lee Blackwood, guitar

#433 Snow Deer, Robin Cox and Tammy Dougherty

#434 Faded Love, Robin Cox and Tammy Dougherty

#435 Announcements

#426 Durany Hornpipe, Dick Barrett, fiddle and Larry Broughton, guitar

#437 50 Years Old Waltz, Dick Barrett, fiddle and Larry Broughton, guitar (Fifty Years Old Waltz)

#438 Black and White Rag, Dick Barrett, fiddle and Larry Broughton, guitar

#439 Sally Goodin Breakdown, J.C. Broughton

#440 Festival Waltz, J.C. Broughton

#441 Clarinet Polka, J.C. Broughton

#442 Announcements and Winners Joe Reed - First Place, Frank King - Second Place, Fred Moorehouse – Third Place

#443 Listen to the Mockingbird

#444 Jolie Blonde

Southwest Poets Conference, Voices Singing 75, Native American Contemporary Singers and Composers, Downtown Civic Mall, Albuquerque, New Mexico,   June 20, 1975

#446 Welcome Address

#447 Poems for Who?, Abelardo Delgado, reading his poetry, announcing the other poets (Rudofo Anaya, making a few comments about the conference)

#448 We Simmer, Abelardo Delgado

#449 Watching Crow, Joy Harjo

#450 Kansas City Coyote, Joy Harjo

#451 Three A.M., Joy Harjo (3 A.M.)

#452 Announcements, Abelardo Delgado

#453 Georgia O’Keefe, Carol Merrill

#454 Poem Dedicated to a Muse, Carol Merrill

#455 I Ride My Bike, Carol Merrill

#456 Pues Dejé y Que?, Ricardo Sanchez, El Paso Community College, poet

#457 Literatura, RicardoSanchez

#458 Para Todo La Mujer, Ricardo Sanchez

#459 It’s Not Possible, Abelardo Delgado

#460 Hope Beat, Mike (or Michael Kabotie, Hopi poet)

#461 17th Redwood Moon, Mike

#462 Far Off Rising Sun, Mike

#463 The Second Coming of Joseph Smith, Charles Potts (or Charles Spots)

#464 Red Boys Riff, Charles Potts

#465 Charlie Coyote, Charles Potts

#466 Le Pon Du, Karl Cobb (or Karl Kopp, a poet from Arkansas, helping edit an anthology of Southwest poetry)

#467 To Jane, Karl Cobb

#468 Honors Center, Humanities Building, University of New Mexico Seminar

Panel Discussion: Southwest Small Magazines and Small Presses, Saturday, June 21, 1975

Panel: Leonard Bird, chair, Howard McCord, Larry Goodell, chair, Ricardo Sanchez, Abelardo Delgado, Charles Potts, editor of Litmus, Paula Allen, Randall Ackley, David Wand (David Wang), Karl Kopp, (With comments from

LaVerne Clark, Carol Merrill and Barbara Shapiro)

#469 Flute Music (Ancient Sioux Melody)

#470 We are Whales, We are Sea Lion

#471 Welcome Me Back Song and Discussion

Southwest Poets Conference, Voices Singing 75, Native American Contemporary Singers and Composers, Downtown Civic Mall, Albuquerque, New Mexico,   June 20, 1975

#472 I Came to this Country, Laughing Bear, Tom Heidlebaugh

#473 Inzorbatal Readings, Bill Peachman (or Bill Pearlman)

#474 Where Are We Now? (Holy Saturday Poem), Bill Peachman

#475 In Memory of Steve Prefontaine, Bill Peachman

#476 After the Coming of the Flood, Jane Diltry (or Jane Dilts, sudent at Durango)

#477 Glass Beads, Jane Diltry

#478 Rivers on Fire, David Wang (David Wand)

#479 Grandfather Cycle Poems, David Wang

#480 Fanfare Number 2, David Wang

#481 Interview with David Wang and Panel Discussion

Continuation: Southwest Poets Conference, Downtown Civic Mall, Albuquerque,   June 20, 1975

481 (continued) Interview with David Wang and Panel Discussion

#482 Distribution of Poetry, Discussion

Continuation: Southwest Poets Conference, Downtown Civic Mall, Albuquerque,   June 20, 1975

#483 In Memory of Bruce Lee, David Wang (publishing name for David Wand)

#484 The Lapse, David Wang

#485 Ketchup, Mary Grim (related to Brothers Grim of fairy tale stories) (or Maury Grimm, student at Durango)

#486 The Making of a Saint, Mary Grim

#487 Past Apple Picking Time, Mary Grim

#488 Poem for Beautiful Women, Mary Grim

#489 Little Lord Sheeva, Charles Potts (or Charlie Potts) (Little Lord Sheba?)

#490 A Valediction: Forbidden Mormon, Charlie Potts

#491 Special 4th Class Rate for Barb McNeely, Charlie Potts

#492 Come Back, Little Sheeva, Charlie Potts

#493 Granddaughter’s Dance, Blackhorse Barney Mitchell

#494 Wishing for Love, Blackhorse Barney Mitchell

#495 My Old Friend, Blackhorse Barney Mitchell

#496 To My Home Town, Larry Goodell

#497 To Leonor, Larry Goodell

#498 My Father Hijacked a Plane, Abelardo Delgado (Lalo)

#499 Daddy, Carol Merrill, (Albuquerque event coordinator)

#500 The Caretaker, Carol Merrill

#501 Love Poem, Carol Merrill

#502 Monster Woman, Carol Merrill

#503 The Island Called Wait, Carol Merrill

#504 Premordem, Leonard Bird, Red Bird, from Durango, Colorado

#505 Package Tour, Red Bird

#506 Wowwi, Leonard Bird, Red Bird

#507 Lonely Woman at Tsaile, Arizona, Red Bird

#508 Alameda, New Mexico, Sandoval County history, Jim Ruper (father started Ruper Beer) (or James Rupert, Jim Rupert)

#509 William Bonney 1859-1881, Jim Ruper (Billy the Kid)

#510 Ann Walman on West Mesa, Jim Ruper

#511 Wild Geese Rising Up to Fly (flute solo, Yakima), Tom Heildlebaugh

Continuation: Southwest Poets Conference, Downtown Civic Mall, Albuquerque,   June 20, 1975

#512 Morning Star, Tom Heildlebaugh

#513 Post-Revolutionary Love Song, the Clown (Communist song)

#514 May Day Song, Rolick the Clown

#515 There is a Baby Between Me and My Lady, Rolick the Clown (and Moses David, poetry)

#516 We Can Heal You, Tom Heildleugh

#517 Crazy Crusader, Arron Eagle (or possibly Aaron Yava)

#518 Uptight for Al Young, Charles Potts

#519 Poems for Who?, Abelardo Delgado

#520 Panel Discussion: Discussion of the poet and Place.

Panel: Simon Ortiz, Harold Littlebird, Abelardo Delgado, Charles Potts. Discussion of Cañon del Muerte, Tsaile Lake, reading by a waterfall, near Navajo Community College, sounds in background of Harold’s little girls, Chamisa and Lima, playing in the stream.

#521 Panel Discussion: Discussion of the Poet and Place continued. Panel: Simon Ortiz, moderator, Nia Francisco Mitchell, Navajo poet, Jason Chee, Assistant for Curriculum Development, Navajo Community College, Lorenzo Baca, Jicarilla Apache, Tony Mares (E. A. Mares), editor of El Cuaderno, David Wang (David Wang, publisher), Representative from MLA, commission for minority literature, Carol Merrill, Albuquerque poet, coordinator of conference,Howard McCord, editor of Measure and on Board of Coordinating Council of Literary Magazines, John Howarth, observer, Discussion of grants, distribution of materials, illustration of magazines, translation of poems, etc.

Panel Discussion: Discussion of the Poet and Place continued 

#521 (continued). Panel: Simon Ortiz, moderator, Nia Francisco Mitchell, Navajo poet, Jason Chee, Assistant for Curriculum Development, Navajo Community College, Lorenzo Baca, Jicarilla Apache, Tony Mares (E. A. Mares), editor of El Cuaderno, David Wang (David Wang, publisher), Representative from MLA, commission for minority literature, Carol Merrill, Albuquerque poet, coordinator of conference, Howard McCord, editor of Measure and on Board of Coordinating Council of Literary Magazines, John Howarth, observer, Discussion of grants, distribution of materials, illustration of magazines, translation of poems, etc.

Panel Discussion: Discussion of the Poet and Place continued 

#521 (continued). Panel: Simon Ortiz, moderator, Nia Francisco Mitchell, Navajo poet, Jason Chee, Assistant for Curriculum Development, Navajo Community College, Lorenzo Baca,Jicarilla Apache, Tony Mares (E. A. Mares), editor of El Cuaderno,David Wang (David Wang, publisher), Representative from MLA, commission for minority literature, Carol Merrill, Albuquerque poet, coordinator of conference, Howard McCord, editor of Measure and on Board of Coordinating Council of Literary Magazines, John Howarth, observer, Discussion of grants, distribution of materials, illustration of magazines, translation of poems, etc.

Continuation but change of location, Southwest Poets’ Conference, Native American Poets, Navajo Community College, Tsaile Arizona,  June 23, 1975

#522 Old Brigham, Male Singer (Old Brigham Laid the Short Line Run)

#523 The Fool Power, Male Singer (Charles Potts) (Amtrak)

#524 Open Arms, Male Singer (Open Arms Been All the Way Around) (Charles Potts)

#525 Indian Song, Female Singer, Irene

#526 Bye Bye Love, Blackhorse Barney Mitchell

#527 Anglo Potato Song, Barney Mitchell

#528 I Didn’t Quite Make It, Barney Mitchell

#529 Vengo a Pedirte que me Olvide, Male Singer (possibly Abelardo Delgado, from Utah)

#530 49 Song (poem), Male Singer (49ers song)

#531 Oh, I Can’t Find Me Anyone, Male Singer

#532 Welcome Me Back Indian Nation, Tom Heildlebaugh

#533 Beautiful Horses, Tom Heildlebaugh

#534 Bright Morning Star, Tom Heildlebaugh (Bright and Morning Star)

#535 Thrive, Jive, and Survive (to La Bamba tune), Tom Heildlebaugh

#536 49 Song, 49er song - Male Singer (possibly Levi Peppian, Last Night in Black Canyon)

Continuation: Southwest Poets’ Conference, Native American Poets, Navajo Community College, Tsaile, Arizona   June 23, 1975

#537 Navajo Love Song (Teasing Song), Male Singer

#538 Hunting Song, Male Singer (Taos song)

#539 Oh I Can’t Find Me Anyone, Male Singer

#540 Thrive, Jive, and How to Survive in 1975 (La Bamba tune), Tom Heildlebaugh

#541 An Old Coyote Trick, Tom Heildlebaugh, (Laughing Bear)

#542 Words, Abelardo Delgado (Lado)

#543 Verbal Snapshots, Abelardo Delgado – On the Way to Tsaile - observations

#544 Poem about the Navajo Community College, Tsaile, Abelardo Delgado

Continuation: Southwest Poets’ Conference, Native American Poets, Navajo Community College, Tsaile, Arizona   June 23, 1975

#545 Song, Poem, Abelardo Delgado

#546 Reflections (Reflexiónes), Abelardo Delgado (El Frio)

#547 Bicentennial Times, Abelardo Delgado (Indian situation upon eve of 1976 Anniversary)

#548 No More, Abelardo Delgado, Anti-government protest

#549 Stupid America, Abelardo Delgado

#550 Jennifer (Taken from a book he previously wrote), Howard McCord

#551 Cloak, from Perfecting an Unspeakable Act, Howard McCord

#552 In This House, Howard McCord

#553 Of Women, Howard McCord

#554 What Ohio Needs, Howard McCord

#555 My Cow (from Fire Visions), Howard McCord

#556 Rain of the Great Basin, Howard McCord (Rim of the Great Basin)

#557 The Bear That Came to the Wedding (from Fire Visions), Howard McCord

#558 Captain Lu Valley, a Hillside, Howard McCord (Katmando Valley) (from Perfecting an Unspeakable Act)

#559 Love Poem, Howard McCord

#560 The Sky Clears, Harold Littlebird (Rain Girls)

#561 Coming Home in March, Harold Littlebird

#562 For the Girls Because They Know, Harold Littlebird

#563 Old Man for His People, in Memory of Alex Sherwood, Harold Littlebird

#564 For My Spokane Lady, Harold Littlebird

#565 For Larry, Harold Littlebird (Larry Littlebird)

#566 Birthday present for Larry’s Little Boy, Abraham Lorenzo Littlebird, Harold Littlebird

#567 For Tony (Sher?) by Harold Littlebird (Lord of the Dawn)

Continuation: Southwest Poets’ Conference, Native American Poets, Navajo Community College, Tsaile, Arizona   June 23, 1975

#568 For Simon, Harold Littlebird (Simon Ortiz)

#570 49er Poem (Song), Harold Littlebird

#571 Oh I Can’t Find Me Anyone (Song), Harold Littlebird

#572 Two Part Ohio Poem, Charles Potts

#573 Horrible Murder, Charles Potts

#574 The Transmigration of Monzu, Charles Potts

#575 In Utah, Charles Potts

#576 To Us, Charles Potts

#577 Senator Donahue, Charles Potts

#578 Momma, Momma, Charles Potts

#579 Monzu, the Magnificent, Charles Potts

#580 Water Spring, Charles Potts

#581 LBJ’s Brand is on Fire, Charles Potts, (about President Lyndon B. Johnson, Vietnam War)

#582 Emphasis, Charles Potts

#583 Opus One, CharlesPotts

Continuation: Southwest Poets’ Conference, Native American Poets, Navajo Community College, Tsaile, Arizona   June 23, 1975

#584 The Poem of the Pointed Head, Charles Potts

#585 Island in the Sky, Jim Moore

#586 Summer Days, Jim Moore

#587 Imagine (John Lennon song), Jim Moore

#588 Morning Star Poem, (Simon Ortiz?)

#589 Older Acoma Woman

#590 My Name is Sidroze

#591 Birds Over a Lake

#592 Mountain of Gods

#593 Skinny Winter Trees at Evening

#594 Falls

#595 I Heard an Older Man Say...

#596 Buzzard

#597 Skin

#598 East of Tucumcari

#599 I Listen, Echo, and Man (Echoes of Man)

#600 Passing Through Gallup

#601 Time to Kill in Gallup

#602 My Children and a Prayer for Us

#603 Flute Solo (Tom)

#604 Panel Discussion: Southwestern Literature Topics: What is Regional Literature and how do we writers fit it. How do we fit into the broader scope? Ethnic literature and where are we with it? Where is it going? How do we fit into the national scene or is this even an important concern? Panel: Rudy Anaya, Carol Merrill, Simon Ortiz, Howard McCord, Charles Potts, Aberlardo Delgado, Paul Vassallo, UNM Library (assisted with funding for the event), Tom Heildlebaugh,Randall Ackley

Continuation: Southwest Poets’ Conference, Native American Poets, Navajo Community College, Tsaile, Arizona   June 23, 1975

#605a Panel Discussion: Southwestern Literature continuation

Continuation: Southwest Poets’ Conference, Native American Poets, Navajo Community College, Tsaile, Arizona   June 23, 1975

#605b Panel Discussion: Southwestern Literature continuation

#606 Interview of Curly Mustache (or Curly Moustache) He tells of the beginning of clans, decided by markings on pipes and types of tobacco.

#607 Translation of Number 606

#608 Interview of Curly Moustache (or Curly Mustache)

#609 Translation of Number 608

#610 Interview of Curly Mustache

#611 Translation of Number 610

#612 Interview of Curly Mustache

#613 Translation of Number 612

Second Annual Native American Folk Festival, Native American Contemporary Composers and Singers, Navajo Community College, Tsaile, Arizona, (Program for 1975 event in Box 2)   November 18, 1975

#614 Welcome, Guest Speaker, Descheenie Nez Trace, Navajo Traditionalist, interpreter Alfred Yazzie, Navajo traditional singer

#615 Jumping on the Canyon, Robert Nakaidinae, Navajo folk singer

#616 So Fine, So Fine, Robert Nakaidinae

#617 Like a Legend, Robert Nakaidinae

#618 Song of What Happens in Gallup, Robert Nakaidinae (events in Gallup)

#619 So Wrong, Robert Nakaidinae

#620 Heroes, Robert Nakaidinae

#621 Blues Harmonica

#622 Wounded Knee Song, Brian Jon, Obijiway, Indian musician

#623 They Stood, Brian Jon

#624 Building Occupation by Mamani Indian War Society Song (fragment), Brian Jon

#625 Best Wishes Stupid America, Brian Jon, Obijiway, Indian musician

#626 I Want to Go to Indian Hillbilly Heaven, Brian Jon

#627 Regulation "H," Brian Jon

Second Annual Native American Folk Festival, Native American Contemporary Composers and Singers, Navajo Community College, Tsaile, Arizona, (Program for 1975 event in Box 2)   November 18, 1975

#628 Indian Car, Brian Jon

#629 Indian Brothers Hunted by the FBI, Floyd Westerman, Standing Rock Sioux, (Sisseton Sioux), Indian folk singer, discussion of Federal Bureau of Investigation, Wounded Knee.

#630 Busted, Floyd Westerman

#631 Custard Died for Your Sins, Floyd Westerman (Battle of Little Big Horn)

#632 BIA Injustice, Floyd Westerman (Bureau of Indian Affairs)

#633 Regulation "H" Love Song, Floyd Westerman

#634 How Long Have You Been Blind? - Floyd Westerman

#635 BIA Song, Floyd Westerman, (Bureau of Indian Affairs)

#636 Miss Navajo 1974 and 1975,song, Barney Mitchell, Navajo, traditional singer

#637 I Didn’t Quite Make It, Barney Mitchell

#638 She Took Off and He Forgot, Barney Mitchell and Girl Chorus

#639 Happily We Walk Together, Barney Mitchell

#640 Hopi Harvest Dance Song, Bala-Siven Choir (or Bala-Sinem Choir, Fort Lewis College)

#641 Pawnee Peyote Song, Bala-Siven Choir

#642 Pima Lightning Mask Song, Bala-Siven Choir

#643 Ponca Peyote Song, Bala-Siven Choir

#644 Acoma Rain Song, Bala-Siven Choir

#645 Navajo Social Song, Bala-Siven Choir

Continuation: Second Annual Native American Festival, Navajo Community College, Tsaile, Arizona,  November 18-20, 1975

#646 Song, Bala-Siven Choir

#647 Taos Round Dance Song, Bala-Siven Choir

#648 Hopi Vocal Dance Song, Bala-Siven Choir

#649 Kiowa Round Dance Song, Bala-Siven Choir

#650 Tree Cat Dance Song (used by the group as a farewell song), Bala-Siven Choir

#651 1976 (Song)

#652 Little Man

#653 Harmonica with Guitar Accompaniment

#654 Standing, Bruce Hamana

#655 One Night, Bruce Hamana

#656 Down at the Can Can, Bruce Hamana

#657 Indian Dream, Bruce Hamana

#658 You Agree with Me, Bruce Hamana

#659 Long Black Veil, Regina Tsosie, Navajo folk singer

#660 Wedding Song, Regina Tsosie

#661 I Feel a Whole Lot Better, Regina Tsosie

#662 I Want to Make It with You, Regina Tsosie

#663 Poems Stretched Upon Us, Regina Tsosie

#664 It’s Too Late, Regina Tsosie

#665 I’m A Rambling Rover, Regina Tsosie

Continuation: Second Annual Native American Festival, Navajo Community College, Tsaile, Arizona,   November 18-20, 1975

#666 Now the Buffalo Is Gone, Regina Tsosie, Navajo folk singer

#667 Song (Making an Angel Fly), Regina Tsosie

#668 E NA TE, Kathy Bunson

#669 Dance Song, Kathy Bunson

#670 Song, Wilfred Numkena, Hopi, Country Rock Singer

#671 I Can’t Help Falling in Love with You, Wilfred Numkena

#672 Sweet Honky Tonk Wine, Wilfred Numkena

#673 That’s the Way Love Goes, Wilfred Numkena

#674 I’ve Never Been to Heaven, Wilfred Numkena

Continuation: Second Annual Native American Festival, Navajo Community College, Tsaile, Arizona,   November 18-20, 1975

#675 Almost Heaven, West Virginia (Country Roads), Wilfred Numkena,

#676 Green Apples, Wilfred Numkena

#677 Sing a Little Sad Song (Singer of Sad Songs), Roger Saltry

#678 Someone Like You, Roger Saltry

#679 Taking Time, Roger Saltry

#680 Rhinestone Cowboy, Roger Saltry

#681 Law of the Common People, Roger Saltry

#682 Love Song, Kay Bennett, Navajo traditional singer

#683 Love Song, Kay Bennett

#684 Sorry, Kay Bennett

#685 Knockin’ on Heaven’s Door

#686 School Sin Rag

#687 Manheim

Continuation: Second Annual Native American Festival, Navajo Community College, Tsaile, Arizona,   November 18-20, 1975

#688 Children of the Universe

#689 Father and Son (Cat Stevens), Richard Quintano of Seabrook, Arizona (or Richard Quintana)

#690 Instrumental Piece, Richard Quintano

#691 Lady Liday, Richard Quintano

#692 Wild Horses, Richard Quintano

#693 Where Were You When?, Richard Quintano

#694 Who Were the First Americans?, Richard Quintano (Columbus, First Contact)

#695 Island in the Sky, Richard Quintano of Seabrook, AZ

#696 Military Madness (by Graham National) (Graham Nash)

697 Imagine

#698 How to Record songs and talks, James B. Wright, Fine Arts Library, UNM

#699 Hello Woman, Ruby Ann

#700 Song (Local talent)

#701 Song (Local talent)

#702 Is Anyone Going to San Antone? (Local talent) (San Antoniio)

Mil Años de Música Española, A Thousand Years of Spanish Music, University of Albuquerque, Albuquerque, New Mexico,   December, 1975

Music of the Spanish Court:Performer: The Early Music Ensemble,John Truitt: recorder, crumhorn; Allison Edwards: recorder, crumhorn; Colleen Sheinberg: recorder, crumhorn; Floyd Williams: recorder, crumhorn; Art Sheinberg: bass viol, percussion; Susan Patrick: psaltery, percussion; Craig Russell: lute, vihuela; Ann Grefl: voice, percussion; Jerri Ewing: voice, percussion

#703 Danza Alta – F. de la Torre (XV Century), The Early Music Ensemble

#704 Triste España – Juan del Encina (XV Century), The Early Music Ensemble

#705 Oy Comamos y Bebamos – Juan del Encina (XV Century), The Early Music Ensemble

#706 Fantasía – Mudarra (XVI Century), The Early Music Ensemble

#707 Oración con Piadades – Anonymous (XIII Century), Oracion con Piadades, The Early Music Ensemble

#708 Una Sañosa Porfia – Juan del Encina (XV Century), The Early Music Ensemble

#709 Está la Reyna del Cielo – Anonymous (XV Century), The Early Music Ensemble

#710 Vere Languores Nostros – Tomas Luis de Victoria (XVI Century), The Early Music Ensemble

#711 Nuit Amar – Anonymous (XIII Century), The Early Music Ensemble

#712 Guarda, Doña, el Mio Tormento – Anonymous (XV Century), The Early Music Ensemble

#713 Pavane # 3 – Luis da Milán (XVI Century), The Early Music Ensemble

#714 Virgen Madre – Anonymous (XIII Century), The Early Music Ensemble

#715 O Quan Dulce Serías, Muerte – F. de la Torre (XV Century), The Early Music Ensemble

#716 Pasé el Agoa, ma Julieta – Anonymous (XV Century), The Early Music Ensemble

#717 Announcements - Programa de Canciones Populares de las Regiones de España Performers: Conjunto Popular de Santa Fe: Consuelo Chavez, Jose Gonzale and Manuel Maramba

#718 A Paro que Vas Volando, Conjunto Popular de Santa Fe

#719 La Virgen de Guadalupe, Conjunto Popular de Santa Fe

#720 Giraldilla y Danza del Pandero (Asturias), Conjunto Popular de Santa Fe

#721 Inez, Conjunto Popular de Santa Fe

#722 Las Manos de mi Carino, Conjunto Popular de Santa Fe

#723 En El Café de Chinitas, Conjunto Popular de Santa Fe

Continuation: Mil Años de Musica Española,University of Albuquerque, Albuquerque, New Mexico, (Arreglos de Federico García Lorca):  December, 1975

#724 Eres Alta y Delgada, Conjunto Popular de Santa Fe

#725 Levántate Morenita, Conjunto Popular de Santa Fe

#726 Los Gallos Están Cantando, Conjunto Popular de Santa Fe (Songs of Spain continued) The University of Albuquerque Coro Bilingüe Perfomers: Angelique Acevedo, Esther Archibeque, Delia Alvarez, Jimmy Carrillo, Rebecca Benjamin, Nana Encinias, Benjamin Garcia, Vivian Gros, Amy Hernández, Linda Marquez, Eva Neilsin, Angelica Orenday, Mary Frances Reza, Esther Romero, Grace Silva and Maureen Valencia. Musical Director and Researcher: Father Benedicto Cuesta. Presented by the Multicultural Education Program, University of Albuquerque, Albuquerque, New Mexico

#727 El Conde Olinos, Romance de Siglo XVII, The University of Albuquerque Coro Bilingüe

#728 Aquel Piño - León, The University of Albuquerque Coro Bilingüe

#729 Otoñal - Vasconia, The University of Albuquerque Coro Bilingüe

#730 El Carbonero - León-Salamanca, The University of Albuquerque Coro Bilingüe (Descanso – break)

#731 Lamento de Jeremías, Melodía Mozárabe, Siglo IX, The University of Albuquerque Coro Bilingüe (Arabian – Spanish melody)

#732 Me Casó Madre, Romance del Siglo XVI, The University of Albuquerque Coro Bilingüe

#733 Jota, The University of Albuquerque Coro Bilingüe

#734 Nana, Canción de Cuna, The University of Albuquerque Coro Bilingüe (Children’s song)

#735 Ya Se Van Los Pastores – Extremadura y Nuevo México, The University of Albuquerque Coro Bilingüe (Christmas song)

#736 Caminito de Ebro – León, Castilla, The University of Albuquerque Coro Bilingüe

#737 Qué Bonita está la Sierra, The University of Albuquerque Coro Bilingüe

#738 Canción de Boda, entrega de novios, wedding song, Castilla, Extremadura,The University of Albuquerque Coro Bilingüe (entriega, entrega)

#739 Límpiate con mi Pañuelo, Castilla, Extremadura, The University of Albuquerque Coro Bilingüe

The Feast of Our Lady of Guadalupe, Tortugas, New Mexico,   December 12, 1975

#741 Matachines, church choir, dancers, violinists, procession, etc., Local talent

#742a Tortugas Hispanic Indians, Local talent

Continuation: Feast of Our Lady of Guadalupe, Tortugas, New Mexico,   December 12, 1975

#742b (continued) Tortugas Hispanic Indians, Local talent continuation

#743 Practice Session for Bow and Arrow Dance, Local talent

#744 Announcements

Continuation: Feast of Our Lady of Guadalupe, Tortugas, New Mexico,   December 12, 1975

#745 Matachines Dance, Local talent

#746 Hispanic Indian Songs, Local talent

#747 Church Choir with Organ Accompaniment, Local talent

#748 Vamos Pura Virgen Hermosa, Local talent

#749 Amor es Sagrado Local talent

#750 Jesus de Paz, su Trono, Local Talent

#751 Hispanic Indian Songs, Local talent

#752 Matachines and other violin music, Local talent

Continuation: Feast of Our Lady of Guadalupe, Tortugas, New Mexico,   December 12, 1975

#753 Hispanic Indian Dances

#754 Matachines Dance Procession, Local talent

Continuation: Feast of Our Lady of Guadalupe, Tortugas, New Mexico,   December 12, 1975

#755 Matachines Dance Procession (violin and drum), Local talent

#756 Matachines Dance Music (with violin, drums, church bells and choir, located in front of the church), Local talent

Project of Intercultural Honors Class, Spring Semester, University of New Mexico, Albuquerque, New Mexico,   May 11, 1976

Voice and guitar demonstrations by and interview with Barbara Cata Wells Faucon, (or Barbara Catawells Faucon) San Juan Pueblo, recorded by Rosa Griegos. (Notes from program in Box 2)

#757 Los Versos, Barbara Cata Wells Faucon

#758 A La Jota, Jota de los Cascabeles, Barbara Cata Wells Faucon

#759 La Rana (Canción de Niño, Children’s song, nursery rhyme), Barbara Cata Wells Faucon

#760 El Venado (Canción de Niño), Barbara Cata Wells Faucon

#761 Dando los Días: Las Mañanitas, Barbara Cata Wells Faucon (morning song)

#762 Pajarillo (not on tape), Barbara Cata Wells Faucon (Alabado, Penitente song for someone who has died)

#763 La Cautíva Marcelina), Barbara Cata Wells Faucon (no guitar, voice alone) (Corrido, ballad, Alfredo Jimenez album)

#764 El Coyote, Barbara Cata Wells Faucon (change of tone quality)

#765 La Entrega de los Novios, Barbara Cata Wells Faucon (wedding song, entriega, entrega)

#766 Corrido de Rosita Alvarez, Barbara Cata Wells Faucon

#767 De Colores, Barbara Cata Wells Faucon (from United Farm Workers, in California)

#768 Cielito Lindo, Barbara Cata Wells Faucon

#769 Brica la Tablita (Canción de Niño), Barbara Cata Wells Faucon (Children’s song)

#770 The Brown Brown Dirt From Home, Barbara Cata Wells Faucon (San Juan Pueblo song in English)

#771 Indian Lullaby Song (Dialécto de Tiexua), Barbara Cata Wells Faucon (Tigua dialect)

#772 Love Song, Barbara Cata wells Faucon (a boy from a northern pueblo fell in love with a girl from a southern pueblo and had to walk a long way to court her)

#773 El Quelite, Barbara Cata wells Faucon (Spanish song)

#774 Gonna Find Me A Bluebird, Barbara Cata Wells Faucon (like Red Wing and Ramona)

Continuation: Project of Intercultural Honors Class, Universitiy of New Mexico, Albuquerque   May 11, 1976

#775 Pueblo Love, Barbara Cata Wells Faucon (from The First Time We Met - remember I Have an all Pueblo Love for You)

#776 Historia de un Amor, Barbara Cata wells Faucon

#777 La Llorona, Barbara Cata Wells Faucon

#778 Yellow Bird, Barbara Cata Wells Faucon (Jamaican, in English)

#779 Salve Maria (Hail Mary), Barbara Cata Wells Faucon (voice, no guitar) (Spoken, prayer, for fear of the devil) (Composed a song on the spot for James Wright, about his name)

#780 Iva Por Un Caminito, Barbara Cata Wells Faucon

#781 Versos and Discussion, Barbara Cata Wells Faucon

#782 In the Early Morning Rain, Barbara Cata Wells Faucon

#783 Barby Allan, Barbara Cata Wells Faucon (Barbara Allen, ballad)

#784 Yellow is the Color of My True Love’s Hair, Barbara Cata Wells Faucon

#785 Farewell, Farewell, Angeline, Barbara Cata Wells Faucon (I’ve Been Stolen by Them)

#786 Flor del Río, Barbara Cata Wells Faucon

#787 Corrido de Lucio Vásquez, Barbara Catawells Faucon

#788 Fería de los Flores, Barbara Cata Wells Faucon

#789 Mi Ranchito, Barbara Cata Wells Faucon

#790 My One Eyed Ford, I Don’t Care if You Marry 16 Times, Barbara Cata Wells Faucon

#791 Liquor Song, Barbara Cata Wells Faucon

#792 Battle of New Orleans, Parody and Discussion, Barbara Cata Wells Faucon

#793 In My Adobe Hacienda, Barbara Catawells Faucon

#794 Way Down Yonder in the Indian Nation, Barbara Cata Wells Faucon

#795 Don’t Fence Me In, Barbara Cata Wells Faucon

#796 East is East and West is West, Barbara Cata Wells Faucon

#797 Finders Keepers, Losers Weepers, Barbara Cata Wells Faucon

#798 Take the Beeper From My Hip, Barbara Cata wells Faucon

#799 Discussion of Paul, Barbara Cata Wells Faucon (Beatles?)

#800 Discussion of Buffy St. Marie, Barbara Cata Wells Faucon

#801 Imitation of Buffy St. Marie, Barbara Cata Wells Faucon

#802 El Mal Hombre, Barbara Cata Wells Faucon

#803 Corrido de Rosita Alvarez, Barbara Cata Wells Faucon

#804 La Cama de Piedra, Barbara Cata Wells Faucon

Project of Intercultural Honors Class, Interviews with Crucita Corona and Petrita Griego, recorded Rosa Griegos, University of New Mexico, Albuquerque,   May 11, 1976

#805 Introductions and Interview with Petrita Griego and Crucita Corona, by Rosa Griegos, about traditions, stories, jokes, games, life in and song of Hispanic New Mexico, Albuquerque area.

#806 Crucita Corona Interview (86 Years Old), and Introduction

#807 Petrita Griegos Interview and Introduction

#808 Passing the time away as a youth, Crucita Corona

#809 Haya en el campo ví (Canción), Crucita Corona

#810 Evening entertainment, Petrita Griego, life of young Hispanic people in New Mexico, in early part of 1900s

#811 Canción de los Santos Angelitos and Discussion of Christmas events, Crucita Corona (traditions of Navidad)

#812 Chiste de la Pader, Crucita Corona (riddle about the wall, pared, murillo)

#813 Por Pasar una Paloma (Canción), Crucita Corona

#814 El Pájaro Tecolotito (Canción), Crucita Corona (tecolote, the owl)

#815 Ranchito (Canción) by Amador Abeyta, composer, singing and whistling, sung by Crucita Corona and Petrita Griegos

#816 Adivinante del Huey (en forma de una canción), y cuento, Crucita Corona

#817 Adivinanza de El Piojo y la Liendre, Crucita Corona

#818 Versos, Crucita Corona

#819 Canción de Cuna, Crucita Corona and Petrita Griegos (Children’s song)

#820 Canción de Juego de Niña, Petrita Griegos (Children’s song, game)

#821 Versos del Baile de la Silla, Crucita Corona and Petrita Griegos

#822 Baile de la Escoba and Discussion, Crucita Corona and Petrita Griegos

#823 Pajarillo Barqueño, Crucita Corona and Petrita Griegos

#824 Cuento de mi Tío Viejo, Crucita Corona

#825 Cuento de los Rancheros, Crucita Corona

#826 Cuento de los Cuelleros, Crucita Corona

#827 El Chiste del Perico, Crucita Corona

#828 Cuento del Cheque, Crucita Corona

#829 El Chisme del Mitote, Crucita Corona

#830 La Entrega de Novios by Amador Abeyta and short history of his life, recorded by Ruben Cobos circa 1946, wedding song, entriega, entriega. Amador Abeyta was born April 13, 1863 and died April 17, 1949, in Sabinal, New Mexico..

#831 Alabado de la Virgen de Guadalupe, Crucita Corona

#832 Posadas que se Cantan Nueve Días Antes de la Noche Buena, Crucita Corona and Petrita Griegos (Navidad, Christmas, Las Posadas)

#833 Introduction de las Tradiciones de Las Posadas, Crucita Corona and Petrita Griegos (Navidad, Christmas songs)

#834 Vamos Pastores, Vamos, Crucita Corona and Petrita Griegos (Los Pastores)

#835 Pastores á Belén, Crucita Corona and Petrita Griegos (Christmas song, Navidad, traditions, Los Pastores)

Reel 35F

Hispanic Folklore of New Mexico Class, University of New Mexico, Albuquerque Interviews of Inez Serna and Señora Isabel Sedillo, (Interviews presumably conducted by Higna Serna, UNM student?),   May 11, 1976

#836 Interview of Inez Serna, 86 years old from La Villita, New Mexico, born June 11, 1891, early life, musical training, was a teacher in the 1930s, taught doctrina, catechism, church songs.

#837 Cuentos de los Viejitos

#838 Cuento de San José

#839 Versitos de La Virgen Guadalupe and Discussion

#840 Corrido de David Lerma

#841 Corazón Delicado (Canción)

#842 Cuento de lo que pasó a mi mamá y papá en el Rancho de Torreón, Chihuahua, y la bruja. Story from the Mexican Revolution period.

#843 Cuento de la Bruja

#844 Chiste de Dos Mujeres

Continuation: Hispanic Folklore, New Mexico Interviews,   May 11, 1976

#845 Early History of Inez Serna, lived in Albuquerque

#846 Rezo Antiguo (Madre Mía de los Dolores) (Ancient prayer)

#847 Corrido de Robert Kennedy

#848 Corrido del Presidente (John F. Kennedy)

#849 Corrido de Heraclio Bernal and Discussion (Eraclio Bernal)

#850 Canto a la Virgen de Guadalupe

#851 Canto a la Virgen de Guadalupe (Antique one) and Discussion

#852 Un Alabado Dedicado a Los Soldados (fragment) (Song for the Soldiers)

#853 Interview with Señora Isabel Sedillo, la vecina, hablando de San Francisco (statue), she was born in August 8, 1891.

#854 Historia de la Estatua de San Francisco

#855 Historia del Padre Gaspar

#856 Cambio del Nombre de la Iglesia

#857 Estatua de San Felipe de Neri and History, Old Town, Albuquerque

#858 Estatua de San Francisco en la casa de los Sedillo, statue in the home of the Sedillo family

#859 Conflictos con los Apaches y Historias (Apache history, stories)

#860 Rancho de los Quelites

#861 Historia del Padre Gaspar e Historia de los altares

#862 Comienzos de la Iglesia de San Felipe de Neri, Old Town, Albuquerque

#863 Cambio de Hábito de la Estatua (changing the vestments, clothes on the statue)

#864 Los Padres que querían la Estatua (the fathers who care for the statue)

#865 El Señor del Santuario y su Uso

The Second Annual All American Indian Pow Wow, Mescalero – Ruidoso All American Indian Dance Championships Mescalero, New Mexico,   July 18, 1976

(Program for event, with more details and illustrations, in Box 2)

#866 Beginning of the Parade

867 Round Dance

#868 Feather Dance

#869 Announcements

#870 War Dance, Northern Drum, Edward Campbell (Chick) (Northern Drum group, Red Earth Singers, Wayne Pushetonequa, Tama, Iowa)

#871 Announcements

#872 War Dance, Southern Drum (Ponca Singers, Chick Campbell, Witchita, Kansas)

#873 Host Group Dance, Mescalero Apache

Continuation: Second Annual All American Indian Pow Wow, Mescalero – Ruidoso All American Indian Dance Championships Mescalero, New Mexico,   July 18, 1976

#874 Red Earth Song

#875 Dance Number #876 Contest for Junior Girls, Ages 9-15

#877 Contest Number

#878 Contest Number

#879 Southern Girls’ Contest Song

#880 Girls’ Contest Number

#881 Girls’ Contest Number

#882 Northern Drum Song (Northern Drum group, Red Earth Singers, Wayne Pushetonequa, Tama, Iowa)

#883 Southern Drum Song (Southern Drum group, Ponca Singers, Chick Campbell, Witchita, Kansas)

#884 Final Contestant Number for Girls

#885 Contest Song

#886 Contest Song

#887 Contest Song

#888 Contest Dance Number

#889 Honor Dance

#890 Head Singer’s Song

Sol y Sangre: Chicano Poetry Series, University of New Mexico, Albuquerque, New Mexico,   September 15-17, 1976

Series organized by Rudy Anaya, English professor, and Jaime Chavez, UNM student (Program for event in Box 2, sessions at UNM Humanities Theater Bldg., Mitchell Hall and Keller Hall)

#891 Introduction and the Purpose of the Session

#892 Introduction of Angela de Hoyos, Angela Sandoval de Hoyos, from San Antonio, Texas

#893 Chicano, from Chicano Poems for the Barrio, and Discussion, Angela de Hoyos

#894 Hermano, From Chicano Poems for the Barrio, Angela de Hoyos

#895 Below Zero, Angela de Hoyos

#896 The Missing Ingredient, Angela de Hoyos

#897 To a Brown Spider en el Cielo and Discussion, Angela de Hoyos

#899 Arise, Chicano, from Arise Chicano and other Poems, Angela de Hoyos

#900 Para una Ronda Agridulce, Angela de Hoyos

#901 Introduction of José Armas, Editor De Colores Journal,

#902 Talk on De Colores, José Armas

#903 Where Did the Revolution Go?, José Armas

#904 Introduction of Javier Pacheco

#905 Remarks by Javier Pacheco, Menlo Park, California

#906 Una Vida Creativa, Javier Pacheco

#907 La Visión, Javier Pacheco

#908 Beep Beep, Javier Pacheco

#909 LULAC Convention Talk, Javier Pacheco (League of Latin American Citizens)

#910 Lulacky Poem, Javier Pacheco (LULAC)

#911 Questions and Answers Section: Centro Cultural de California and Flor y Canto de San Antonio

#912 Announcements

Continuation: Sol y Sangre: Chicano Poetry Series, UNM,  September 15-17, 1976

#913 Introduction and Announcements

#914 José Armas, Comments on the Chicano Movement

#915 La Bajada del Indio Triste, José Armas

#916 I Know That Guy, José Armas

#917 The Picket Line, The Picket Line, José Armas (union labor)

#918 Yes, Sir, El Paso Looks Like a Very Patriotic City, José Armas

#919 Mentiras, José Armas

#920 Where Did the Revolution Go?, José Armas (Chicano Movement)

#921 Chicana Women in Literature, Angela de Hoyos

#922 Barrio Guadalupe, from Eating an Orange Slowly While I Think of You, Angela de Hoyos

#923 Discussion of Number 922, Angela de Hoyos

#924 Para una Ronda Aguidulce and Discussion, Angela de Hoyos (Para una Ronda Agridulce?)

#925 Meaning of Chicano, Panel Discussion (Chicano Movement)

#926 Los Viejos Se Aquerdan and Announcements

Continuation: Sol y Sangre: Chicano Poetry Series, UNM,  September 15-17, 1976

#927 Introduction, Jaime Chavez, UNM Student

#928 Un Comentario Sobre Aztlán, Jaime Chavez

#929 Eating an Orange Slowly While I Think of You, Angela de Hoyos

#930 Chicano, Angela de Hoyos

#931 Haciendo Cola, Angela de Hoyos

#932 Below Zero, Angela de Hoyos

#933 Arise, Chicano, Angela de Hoyos

#934 The Missing Ingredient, Angela de Hoyos

#935 The Final Laugh, Angela de Hoyos

#936 Small Comfort, Angela de Hoyos

#937 Blues in the Barrio, Angela de Hoyos

#938 A Los Obreros del Campo, Jaime Chavez (United Farm Workers Union)

#939 8 to 5 Technohigh Cundiyo, Jaime Chavez

#940 Canto de Esperanza de Ayer, Fernando Peñaloza (Penaloza)

#941 Del Arte, Fernando Peñaloza, poet and artist

#942 Hear the Beat of Nature and the Sound of Man, Fernando Peñaloza

#943 Sensación de Primavera, Fernando Peñaloza

#944 Oyes el Murmurio de la Lluvia, Fernando Peñaloza

#945 La Muerte, Fernando Peñaloza

#946 La Llorona, Gonzalo Peñaloza, brother of Fernando Peñaloza

#947 Qué Voy Hacer?, Gonzalo Peñalosa, brother of Fernando Peñaloza

#948 Musica Peruana, Gonzalo Peñaloza brother of Fernando Peñaloza (Music of Peru)

#949 El Carnaval, Gonzalo Peñaloza, brother of Fernando Peñaloza

Continuation: Sol y Sangre: Chicano Poetry Series, UNM   September 15-17, 1976

#950 Música Peruana, Gonzalo Peñaloza, brother of Fernando Peñaloza (Music from Peru)

#951 Introduction of Jenny Montoya, Jaime Chavez

#952 Alabado a la Nueva Mexicana, Jenny Montoya (Jenny Chavez Montoya) (Praise to New Mexico Women)

#953 La Querida, Jenny Montoya

#954 Proclamación, Jenny Montoya

#955 Te Dejaré, Jenny Montoya

#956 New Mexico Freeway, Jenny Montoya (Interstate highway)

#957 Return to the Cottonwoods, Jenny Montoya

#958 Vida Seductiva, Jenny Montoya

#959 Dirty Old Lady, Jenny Montoya

#960 I Feel So Educated…, Jaime Chavez

#961 Sin Título (Tu Vieja Sombra), Jaime Chavez

#962 Barrio Observations Number One, Jaime Chavez (Life in a barrio)

#963 Califas, Jaime Chavez

#964 Introduction of Javier Pacheco, Jaime Chavez

#965 A.M. Transcendent, Javier Pacheco

#966 Existencia, Javier Pacheco

#967 La Visión, Javier Pacheco

#968 Let Us Make Stipulation, Javier Pacheco

#969 Que Esperanzas, Javier Pacheco

#970 Reality Time, Javier Pacheco

#971 Cáscara, Javier Pacheco

#972 Cancel My Cake (Bicentennial Poem), Javier Pacheco

#973 Saliendo a los Tripis, Javier Pacheco

#974 Penance, Javier Pacheco

#975 Para Volver, Javier Pacheco

#976 Atzlán (Canciόn), Javier Pacheco

#977 Te Quiero de Alma, Javier Pacheco

#978 Canciόn, Javier Pacheco

Continuation: Sol y Sangre: Chicano Poetry Series, UNM   September 15-17, 1976

#979 Canción, Javier Pacheco

#980 No Es La Existencia, Javier Pacheco

#981 Llegaron con Promesas, Javier Pacheco (Coming of the Americans)

#982 Pasajero, Javier Pacheco

#983 Announcements

Sol y Sangre: Chicano Poetry Series, University of New Mexico, Albuquerque, New Mexico,   October 20 - 22, 1976

(Program for event in Box 2)

#984 Introduction of José Montoya, Jaime Chavez

#985 José Montoya, comments, José Montoya, formerly from New Mexico, now from Sacramento, California, member Royal Chicano Air Force.

#986 Resonant Valley, José Montoya

#987 La Jefita, José Montoya

#988 Los Vatos and Discussion, José Montoya

#989 El Louie and Discussion, José Montoya

#990 Misa en Fowler, José Montoya (Misa en Flor?)

#991 Jack Off Hangover, José Montoya

#992 Irish Priests and Chicano Sinners, José Montoya

#993 Se Va a Morir Doña Chema, José Montoya

#994 La Yarda de La Esquelita, José Montoya

#995 Introduction of Neptalí de León, Jaime Chavez (Neptali de Leon)

#996 Literatura Chicano, talk, Neptalí de León, poet and playwright, from Lubbock, Texas, about Chicano literatura, being a Chicano author (Neptalí de Leon)

#997 Me Imagino Yo, Neptalí de León

#998 Dark are Your Ways, Neptalí de León

#999 Pulga, Neptalí de León

#1000 Sunday, Neptalí de León

#1001 Eximido el Piojo, Neptalí de León

#1002 En La Plaza, Neptalí de León

#1003 La Loquita de la Esquina, Neptalí de León

#1004 Tengo Mucho Miedo, Neptalí de León

Continuation: Sol y Sangre: Chicano Poetry Series, UNM   October 20 - 22, 1976

#1005 De Barbara, Neptalí de León

#1006 Coca Cola Dream, Neptalí de León

#1007 What Happens When You Die? by Josie Mora a.k.a. Alivia Nada, José Montoya (Josie Mora, poet from Texas)

#1008 Te Quiso Como Hermana, José Montoya (Te Quise Como Hermana)

#1009 Sin Título, José Montoya

#1010 Escritor, José Montoya

#1011 Mi Barrio and Discussion, José Montoya

#1012 Suicido Negro, Séptimo Piso, José Montoya

#1013 Las Cosas de Familia Son Así, José Montoya

#1014 Cuatro Escudos Sobre la Vida de Lolita Lebron, Antología de Tino Villanueva, José Montoya

#1015 Hey Mr. President Man, José Montoya (1976)

#1016 Announcements, Jaime Chavez

Continuation: Sol y Sangre: Chicano Poetry Series, UNM   October 20 - 22, 1976

#1017 Introduction, Jaime Chavez

#1018 Panel Discussion, Neptalí de León and José Montoya-Writing about Chicano Literature, How to be a writer - Early Influences - Bernabel, el Cuentista - All Night Vigils - School Shock - Early Writings - Meaning of El Movimiento (Chicano Movement), Why a Poet - Historia de la Lengua - History of the Language, Spanish Language

Continuation: Sol y Sangre: Chicano Poetry Series, UNM   October 20 - 22, 1976

#1019 El Que Dijo Yes

#1020 Discusión de Lorca – Discussion of Lorca

#1021 Luchas de la Gente, Atzlán Nation, American Influence, Chicano Movement, history

#1022 Chile and Discussion

#1023 El Libro Isaías (Bible)

#1024 Announcements, Jaime Chavez

#1025 Introduction – Poetry Readings in the Barrio

#1026 Yo Te Voy a Vadecir, Jaime Chavez

#1027 Sin Título, Jaime Chavez

#1028 Chicanita, su Hijito se le Cante Rockabye Baby, Jaime Chavez

#1029 Introduction of Arturo Caloran, Jaime Chavez

#1030 Donde Nació, Arturo Caloran

#1031 Happy Birthday America and Discussion, Arturo Caloran – Bicentennial Anniversary

#1032 La Revolución: Past, Present and Discussion, Arturo Caloran (Chicano Movement, history)

#1033 Introduction of Mariciela Aguilar, Jaime Chavez

#1034 Figura Cristalina, Mariciela Aguilar

#1035 Recuerdo a un Primo, Mariciela Aguilar

#1036 Vicente, Mariciela Aguilar

#1037 Announcements, Jaime Chavez

#1038 Introduction of Francisco Lomeli, Jaime Chavez

#1039 Al Filo del Barrio, Francisco Lomeli

#1040 Oda á la Rama Extraviada que Surgió Simplemente de una Negdota, Francisco Lomeli

#1041 RRR Comité de Anonymous - regarding Fatso (en forma de carta), Francisco Lomeli

NOTE: #1025-1041: Continuation: but change of location Sol y Sangre: Chicano Poetry Series, North Valley Community Center, Los Griegos, Candelaria Road, October 21, 1976

Continuation: Sol y Sangre: Chicano Poetry Series, North Valley Community Center, Albuquerque, New Mexico   October 21, 1976

#1042 Un Reflejo de Versos, Francisco Lomeli

#1043 Introduction of Fernando Peñaloza, Jaime Chavez

#1044 El Condor, Ya no Vuela, Fernando Peñaloza

#1045 Vivir no es Más que Una Causa, Fernando Peñaloza

#1046 Los Rifles, Fernando Peñaloza

#1047 Dedicado á la Muerte, Fernando Peñalosa

#1048 Introduction of Neptalí de León, Jaime Chavez

#1049 Ni La Orilla de la Luna, Neptalí de León

#1050 Dedicación a Torero Mario Acevedo, Neptalí de León (Bullfighting)

#1051 Tú, Neptalí de León

#1052 Tengo Mucho Miedo and Discussion, Neptalí de León

#1053 Así Como la Lluvia, Neptalí de León

#1054 Buen Madrid and Discussion (Símbolo de Lucha y Amor), Neptalí de León

#1055 Hey Mr. President Man, Neptalí de León (1976)

#1056 Introduction of José Montoya, Jaime Chavez

#1057 Comments, José Montoya

#1058 Faces (based on the United Farm Workers Union Convention, corrido of the Huelga also included, corrido to the labor strike, and Discussion, José Montoya

#1059 Comments on United Farm Workers, José Montoya

#1060 Until They Give Us a Loan (related to Elias) and Discussion, José Montoya

#1061 Tres Cantos en Vano and Discussion (about Dead Vatos Locos), José Montoya

#1062 Como Empieza el Huracán?, José Montoya

#1063 The Movement has gone for its PH.D over at the University or the Gang Wars are Back and Discussion, José Montoya

#1064 Aros is Aros is Aros and Discussion, José Montoya

#1065 El Louie and Discussion, José Montoya

#1066 Announcements, Jaime Chavez

Sol y Sangre: Chicano Poetry Series, University of New Mexico, Albuquerque, New Mexico,   November 17-18, 1976

(Program for event in Box 2)

#1067 Announcements, Jaime Chavez

#1068 Introduction of E.A. Mares (Tony Mares), Jaime Chavez

#1069 Comments, E.A. Mares

#1070 Seizer and Discussion, E.A. Mares

#1071 Poem Addressed to a Stranger, Commenting on the Appearance of my Leather Wrist Watch Band and Discussion, E.A. Mares

#1072 Traveling Alone, E.A. Mares

#1073 El Cerrito de Bernal, E.A. Mares

#1074 Spirit Song, E.A. Mares

#1075 Entry from the Las Vegas Journal, E.A. Mares

#1076 Sueño de un Ser que Se Está Soñando

#1077 Se Hace Camino en los Sueños, from 2 poems dedicated to Antonio Chamado and Discussion. (Commante, no hay camino, se hace camino en andar)

#1078 Different version of Number 1077

#1079 Bajo la Luna Llena (second poem dedicated to Antonio Chanado)

#1080 Escrito en el Humo (translation from Francisco Brimes)

#1081 English Translation of Number 1080

#1082 Muerte de Un Perro (second poem translation from Francisco Brimes)

#1083 English Translation of Number 1082

#1084 Near Capulin and Discussion

#1085 Looking Down from Johnson Mesa

#1086 The Second Coming

#1087 Introduction of Jenny Chaves Montoya, Jaime Chavez

#1088 La Querida, Jenny Chavez Montoya

#1089 Un Alabado a Todas las Nueva Mexicanas (Song in praise of all New Mexico Women)

#1090 Dedicated to Xavier

#1091 Dirty Old Lady

#1092 Return to the Cottonwoods

#1093 Una Proclamación

#1094 Lumbre Consumante

#1095 Carolinas Experience

#1096 El Amor es Una Flor

#1097 Something Beautiful is Growing

Continuation: Sol y Sangre: Chicano Poetry Series, UNM   November 17-18, 1976

#1098 Announcements, Jaime Chavez

#1099 Introduction of Orlando Romero

#1100 Comments, Orlando Romero, Nambe, Santa Fe and Tuscon

#1101 Self portrait, Orlando Romero, biography

#1102 La Bartola (La Llorona story)

#1103 Nueves

#1104 Announcements, Jaime Chavez

#1105 Announcements of meeting on November 18, 1976

#1106 Introduction of Fernando Peñaloza, by Jaime Chavez

#1107 Canto de Esperanza de Ayer (Dedicado a Nuevo Mexico), Fernando Peñaloza (Song of Hope dedicated to New Mexico)

#1108 Poem que Habla Acerca del Barrio, Fernando Peñaloza (Poem about the Barrio)

#1109 Sensación de Primavera, Fernando Peñaloza

#1110 Hear the Plea of Nature, Fernando Peñaloza

#1111 Introduction of José Armas, Jaime Chavez

#1112 Por la Bajada del Indio Triste, José Armas

#1113 The Picket Line, The Picket Line, José Armas

#1114 Yes sir, El Paso looks like a very Patriotic City, José Armas

#1115 God Bless America, José Armas

#1116 Where Did the Revolution go?, José Armas - Chicano Movement

#1117 Announcements, Jamie Chavez

#1118 Announcements, Francisco (Francisco Lomeli?)

#1119 Introduction of Jamie Chavez, Francisco

#1120 Comments, Jaime Chavez

Continuation: Sol y Sangre: Chicano Poetry Series, UNM   November 17-18, 1976

#1121 Chicanita, Su Hijo no le Cantes "Rockaby Baby" and Discussion, Jamie Chavez

#1122 I Feel so Educated, Jamie Chavez

#1123 Los Viejitos Bailaban Ayer, Jamie Chavez

#1124 Califas Dreams, Jamie Chavez

#1125 Un Comentario Sobre Atzlán, Jamie Chavez

#1126 Introduction of the Brothers Peñaloza, Francisco (Fernando and Gonzalo)

#1127 Música Boliviana con flauta y guitara y maraca, Peñaloza Brothers, (Music from Bolivia)

#1128 Musoca Bosinca, Peñaloza Brothers (Música Bosinca?)

#1129 Musica Bosinca (El Condor Pasa), Peñaloza Brothers

#1130 Samba Argentina de los Gauchos, Peñaloza Brothers (Music of Argentina)

#1131 Me Llaman Abandonado (Canción de Argentina), Peñaloza Brothers

#1132 México Lindo Y Querido, Peñaloza Brothers

#1133 Announcements, Francisco (Francisco Lomeli?)

#1134 Introduction of Leroy Quintana, Francisco

#1135 Legacy- Herencia, Leroy Quintana

#1136 In the Small Town (Don Ricardo), Leroy Quintana

#1137 Hijo del Pueblo, Leroy Quintana

#1138 Grandfather, Leroy Quintana

#1139 Cuento Within a Cuento, Leroy Quintana

#1140 Tio’s New Común (outhouse), Leroy Quintana

#1141 The Barrio, Leroy Quintana

#1142 San Antonio Policeman, Leroy Quintana

#1143 Barrio Student, Leroy Quintana

#1144 El Fifo, Leroy Quintana

#1145 Heradera, Leroy Quintana

#1146 A Poem for My Children- Sandra y Alicia, Leroy Quintana

#1147 Black Holes, Leroy Quintana

#1148 Sterling Colorado, Leroy Quintana

#1149 Americanos Prietos, Leroy Quintana

#1150 Legacy, Part two, Leroy Quintana

#1151 Introduction of Juanita Jaramillo and Enriqueta Vásquez, Francisco

#1152 Universal Harmony, Juanita Jaramillo

#1153 Despierta Mestizo, Despierta, Juanita Jaramillo

#1154 Revolution, Juanita Jaramillo

#1155 Wordly and Innocence were Met in a Poem, Juanita Jaramillo

#1156 Levántense, Juanita Jaramillo

#1157 A Sneak Crawls Across Your Path, Juanita Jaramillo

#1158 Pensamiento, Juanita Jaramillo

#1159 El Espacio, El Universo, Juanita Jaramillo

#1160 Cuando Uno Ha Amado Mucho en su Vida, Juanita Jaramillo

#1161 Oh Blind One and Discussion, Juanita Jaramillo

#1162 Pensamiento de los Montes de Sangre de Cristo, Enriqueta Vásquez, (activist, Sangre de Cristo Mountains, writer for El Grito del Norte)

#1163 Changes, Enriqueta Vásquez

#1164 Voladora, Enriqueta Vásquez

#1165 Saves, Enriqueta Vásquez

#1166 Dedicated to Flying Star, "Matachines," Enriqueta Vásquez

#1167 Steel and Pipe and Chrome and Smoke and Discussion, Enriqueta Vásquez

#1168 Amásalo el Cierro and Discussion, Enriqueta Vásquez

NOTE: #1133-1168: Continuation: but change of location Sol y Sangre: Chicano Poetry Series, North Valley Community Center, Los Griegos, Candelaria Road, November 18, 1976

Continuation: Sol y Sangre: Chicano Poetry Series, North Valley Community Center, Los Griegos, Candelaria Road  November 18, 1976

#1169 Mestizo, Enriqueta Vásquez

#1170 Pensamiento, Enriqueta Vásquez

#1171 Introduction of Sergio Elizondo, Francisco

#1172 Chicanos, from Anti-Perros, and Discussion, Sergio Elizondo, Spanish Dept., New Mexico State University, Las Cruces

#1173 Canción de Cuna, from Vatos de Libro para Vatos y Chavalas Chicanos, and Discussion, Sergio Elizondo

#1174 Fue Noche de Dos Toques and Discussion, Sergio Elizondo

#1175 únicamente Otra Vez, Sergio Elizondo

#1176 Consejo á un Vato, from Libro Para Vatos, Sergio Elizondo

#1177 Con Zafos Liñas por Encima de Los Gabas, Sergio Elizondo

#1178 Una Invitación - Chavalas, Sergio Elizondo

#1179 Rooka Firme Libertad - Chavalas, Sergio Elizondo (Poems about Chicana Women)

#1180 Cantar de Gentiles Damas, Sergio Elizondo

#1181 He Sabido Carnala, Sergio Elizondo

#1182 Poema Sin Título, Sergio Elizondo

#1183 Thanks and Goodbye, Francisco

Los Pastores, Group from Las Nutrias, near Belen, New Mexico, Performing at Old Town Plaza, Albuquerque, New Mexico  December 21, 1980

#1184 Los Pastores and Ya Es Tiempo This is the Gran Pastorela version from Las Nutrias, near Belen. (Script for play in Box 2)

El Grupo Alegre, Senior Citizens’ Fiesta, La Joya, New Mexico,   July 10, 1981

#1185 La Varsoviana (accordion), El Grupo Alegre

#1186 El Lirio, El Grupo Alegre

#1187 Los Ojos de Pancha, El Grupo Alegre

#1188 Paul Jones Dance, El Grupo Alegre

#1189 Presentación del Rey y la Reina del Condado de Valencia, El Grupo Alegre, (David Sanchez and Eva Sanchez (King and Queen, County of Valencia, New Mexico)

#1190 El Rancho Grande, El Grupo Alegre

#1191 Polka, El Grupo Alegre

#1192 Las Gaviotas, El Grupo Alegre

#1193 Polka, El Grupo Alegre

#1194 Polka (Una Estrellita Llora), El Grupo Alegre

Continuation: El Grupo Alegre, Senior Citizens’ Fiesta, La Joya, New Mexico   July 10, 1981

#1195 Te Vas Angel Mío, El Grupo Alegre

#1196 échale un Cinco al Piano, El Grupo Alegre

#1197 Me Calli de la Nube que Andaba, El Grupo Alegre

#1198 Dos Palomas al Volar, Señora Montaño

#1199 El Asesino, Señora Jaramillo

#1200 El Lirio, Señora Jaramillo

#1201 Un Día á la Vez, Señora Jaramillo

Laotian Music, Laotian community, Albuquerque, New Mexico,   November 21, 1981

Notes on performance in Box 2 (Lao songs, names, titles written in Laotian, music of Laos, Southeast Asia) Performers: Chinnavony on Khene, Somyen Saiyarath, Bouamy Phetdare, Manlika Lengsavath, Khantaly Sanoubane, with host Monica Gabou.

#1202 Pheng Sat Lao, Laotian National Anthem

#1203 Lao Ka Se, Song of Children, to dance and wish their parents, teachers and officers well

#1204 Lao Ho Uam Samphan, Lao Incorporation, Song to Unite People

#1205 Champa Mounong Lao, Lao National Flower (Frangipani of Laos)

#1206 Kab Tum Luangprabang, Song from Northern Part of Laos, solo (Luangprabang is the province where the royal palace is located)

#1207 Dok Bouathong, Golden Lotus Flower Song (How Beautiful the Lotus Are)

#1208 Men Kat Toomlonghauban, (title not translated)

#1209 Men Ping Do Boutong

#1210 Announcements

Feast of Our Lady of Guadalupe, 10:30 AM, Church Service, Our Lady of Sorrows Church, La Joya, New Mexico   December 13, 1981

#1211 Feast of Our Lady of Guadalupe, Local talent, Spanish religious songs, Father Virgil? presiding (or Vigil?)

Senior Citizens’ Fiesta, El Grupo Alegre, directed by Ray Chavez, La Joya, New Mexico,   July 10, 1981

#1212 Introduction

#1213 El Asesino, El Grupo Alegre

#1214 El Gato Negro, El Grupo Alegre

#1215 Announcements, El Grupo Alegre

#1216 Morena de Ojos Negros, El Grupo Alegre

#1217 Flor de las Flores, El Grupo Alegre

#1218 Somewhere My Love, El Grupo Alegre

#1219 Announcements, El Grupo Alegre

#1220 One Day at a Time, El Grupo Alegre

#1221 Los Laureles, El Grupo Alegre

#1222 Jalisco, El Grupo Alegre

#1223 Polka, El Grupo Alegre

#1224 La Nueva Senaida, El Grupo Alegre

#1225 El Asesino, El Grupo Alegre

San Ignacio Fiesta, La Guadalupana Church, Albuquerque, New Mexico   August 2, 1981

#1226 Fiesta de San Ignacio, Part One, Local talent, Spanish songs

Continuation San Ignacio Fiesta, La Guadalupana Church, Albuquerque, New Mexico   August 2, 1981

#1226 Fiesta de San Ignacio Part One continued, Himno de San Ignacio, Reies Daride?

Continuation San Ignacio Fiesta, La Guadalupana Church, Albuquerque, New Mexico   August 2, 1981

#1227 Fiesta de San Ignacio, Part Two, Local talent

Los Corrales, An Historical Musical Pageant, Cibola High School Gym Theater, Corrales, New Mexico,   July 16, 1983

(Program for event in Box 2) Composer, Lyricist, Stage and Music Director – Michael McDonald Production Manager, Evelyn Curtis Losack Editor – Actor, Musician Norman Everett Sponsors – APS Corrales Community Education Program, Corrales Historical Society, Participation from Corrales Community School, Sandia View Academy and the Corrales Alternative School – presented by the school children and their families Portrayal in story and song of historical events in the history of the community over the centuries, themes include:

Geological and Native American beginnings, coming of the Spanish to New Mexico, Pueblo Revolt, Return of the Spanish, La Conquistadora statue, Spanish settlement and families in the area, 1712 Gonzales Land Grant, the Marques de Peñuela and Captain Juan Gonzales, the 1870 Census, family names of the area, the adobe architecture of Corrales, life in Corrales - the La Cantina and La Sala, the Court of Private Land Claims Court, history of the land grant, Teofilo Perea, coming of the other European settlers, the French Wedding, vineyards, grapes and wine production, the 1904 Flood on the Rio Grande, the Italian Bride, continued wine production, the several San Isidro Churches, mingling of the three cultures, the town name as Sandoval and Corrales, the American cowboy, ranching, 4th of July celebration at the Alameda Cattle Company, A. B. McMillan, the coming of the Artists and the traditions of the local farmers, abandoning the fields, irrigation ditches, another religious denomination comes to the area – the Seventh Day Adventist Church, and current times in Corrales and Sandoval, contemporary issues facing the people, planning and zoning to preserve the rural setting of Corrales. Finale: Corrales, My Village, My Land, My Home.

#1228 Los Corrales pageant, Part One

Continuation: Los Corrales pageant  July 16, 1983

#1228 Los Corrales pageant continued

Continuation: Los Corrales pageant  July 16, 1983

#1229 Los Corrales pageant concluded

New Mexico Folklore Society Meeting, Steve Cormier, Cowboy folk music, performer from Santa Rosa, New Mexico,Heights Community Center Albuquerque, New Mexico  January 20, 1986

#1230 Introduction, by Ken Keppeler (of Bayou Seco)

#1231 Dialogue, Steve Cormier, observations on Southwestern folklore, ranching, farming life, folk music, cowboy music, country western music

#1232 Country National Anthem, Steve Cormier

#1233 Dialogue, Steve Cormier

#1234 Hightone Dance - Glen Ovman, Steve Cormier

#1235 Dialogue, Steve Cormier

#1236 I’m Going Home to Visit Mama - J.D. O’Mally, Steve Cormier

#1237 Dialogue, Steve Cormier

#1238 The Ballad of Sam Bass, Steve Cormier

#1239 Dialogue, Steve Cormier

#1240 Small Town Carnivals, Steve Cormier

#1241 Dialogue, Steve Cormier

#1242 Hugh Kansas Feedlot Blues - Jim Mangas, Steve Cormier

#1243 Dialogue, Steve Cormier

#1244 Muldane Old Settlers Say - Silver Jack, Steve Cormier

#1245 Dialogue, Steve Cormier

#1246 I Remember May 28 Years Ago - Art Miller, Steve Cormier

#1247 Dialogue, Steve Cormier

#1248 Zebra Dun, Steve Cormier

#1249 Dialogue, Steve Cormier

#1250 Reincarnation Poem - Wallace McCray, Steve Cormier

#1251 Dialogue, Steve Cormier

#1252 Windy Bill - Windy Bill, Steve Cormier

New Mexico Folklore Society Meeting, Steve Cormier, Cowboy folk music, performer from Santa Rosa, New Mexico,Heights Community Center Albuquerque, New Mexico  January 20, 1986

#1253 Dialogue, Steve Cormier

#1254 Sitting by the Old Corral, Steve Cormier

#1255 Dialogue, Steve Cormier

#1256 Riding for the Money (Why Does He Ride for the Money?), Steve Cormier

#1257 Dialogue, Steve Cormier

#1258 Silver Heels, Steve Cormier

#1259 Dialogue, Steve Cormier

#1260 Trail to Mexico, Steve Cormier

#1261 Dialogue, Steve Cormier

#1262 Youngest Dirt Farmer, Steve Cormier

#1263 Dialogue, Steve Cormier

#1264 Illegal Cargo, Steve Cormier

#1265 Dialogue, Steve Cormier

#1266 Roll on Little Doggies, Steve Cormier

#1267 Zuni, Redbeard Rain Dance song, May 1986, Milford Nahohai, Zuni Pueblo  

Programs - Program for On the Banks of the Rio Grande, Michael Montano Presents, Kimo Theatre, Albuquerque,  

This is the second performance of the Corrales historical pageant.

Los Corrales, A Musical - Copy of the working play script by scene and music scores donated by Evelyn Curtis Losack, production manager and historical researcher of the play.   . July 1982

Corrales Historical Pageant - Full version of play, donated by Evelyn Curtis Losack, pageant production manager, historical researcher  

Corrales Historical Pageant - Rehearsal of play, donated by Mary Davis, Corrales Historical Society