University of Wyoming
Collection Summary | ||
| Title | Adrian and Joan Scott papers, | |
| Dates (Inclusive) | 1940-1972 | |
| Creator | Adrian Scott and Joan Scott | |
| Abstract | Adrian Scott was a screenwriter, television writer, playwright, and motion picture producer from the 1930s to the 1970s. Joan Scott, who sometimes wrote under the pen name "Joanne Court" was a film and television writer from the 1950s to the 1970s. | |
| Collection Number | 03238 | |
| Size | 17.5 cubic ft. (41 boxes) | |
| Repository | University of Wyoming. American Heritage Center. | |
| Language(s) | English | |
Adrian Scott (1911-1972) was a screenwriter and motion picture producer with MGM and RKO from 1930-1947. In 1947 he was called before the House Committee on Un-American Activities, where he refused to answer the Committee's question if he was a member of the Communist Party. Scott was jailed for one year for Contempt of Congress and also fired by RKO. He was blacklisted as a member of the "Hollywood Ten," movie directors and writers who refused to testify.
In 1957, Scott went to London to be a film consultant for British film producer J. Arthur Rank and later became a producer in London for MGM. He returned to the United States in 1968 and wrote and produced for film and television. Among the films that he wrote or produced were "The Parson of Panamint" (1941), "Murder My Sweet" (1944), "Cornered" (1949), "So Well Remembered" (1947), "Deadline at Dawn" (1945), and "My Pal Wolf" (1944). He also wrote for the television shows "The Adventures of Robin Hood," "Lassie," and the television special "The Great Man's Whiskers" (1973). Scott also authored the play "Mr. Lincoln's Whiskers" in 1948.
Scott was married in 1955 to Joan LaCour (a.k.a. Joanne Court), a film and television writer who wrote for the television shows "Have Gun, Will Travel," "Lassie," and "Surfside 6."
Collection contains materials relating to Adrian and Joan Scott's careers in film and television from 1940-1972. Adrian Scott materials consist mainly of scripts for motion pictures and television written or produced by Scott along with budgets, reviews, production reports, shooting schedules, advertising, posters and publicity, and related correspondence (1940-1972). Collection also includes miscellaneous materials relating to his work in England; the script of the play "Mr. Lincoln's Whiskers"; professional correspondence (1940-1972); legal briefs, petitions, press releases, newspaper clippings, testimony transcripts and speeches relating to the House Committee on Un-American Activities (1947-1958); miscellaneous photographs; and drafts of plays, television and motion picture scripts by associates of Scott (1945-1971).
Joan Scott materials include scripts to the television shows "Have Gun, Will Travel," "Lassie," and "Surfside 6" (1956-1961, 1972); and miscellaneous other materials.
There are no access restrictions on the materials for research purposes, and the collection is open to the public.
The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.
Item Description, Box Number, Folder Number, Adrian and Joan Scott Papers, Collection Number 03238, American Heritage Center, University of Wyoming.
The collection was processed by Loreley Moore in May 1994.
The Adrian and Joan Scott Papers were donated to the American Heritage Center in 1970 and 1978.
There are no other known archival collections created by Adrian and Joan Scott at the date of processing.
United States. Congress. House. Committee on Un-American Activities
Motion Pictures -- Production and direction -- England
Motion Pictures -- Production and direction -- United States
Motion Pictures -- United States
Motion picture producers and directors
Television producers and directors
This series contains legal briefs and petitions, magazines, newspaper clippings, pamphlets, and press releases regarding the Contempt of Congress convictions of the "Hollywood Ten" and the resulting blacklist of them by the American entertainment industry.
| Description | Container | ||||
|---|---|---|---|---|---|
Analysis of the Mundt-Nixon Bill H.R. 5852, 1948 |
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||||
Committee Members' Voting Records, 1948 |
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Contempt of Congress - Adrian Scott, includes subpoena, 1947-1951 |
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Film Credits of the Hollywood Ten, 1947 |
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Legal Briefs and Petitions: |
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Dennis, Eugene a.k.a. Francis Waldron, 1948 |
|
||||
Eisler, Gerhart, 1948 |
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||||
Hollywood Ten, 1948 |
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Lardner, Jr., Ring, 1953-1955 |
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||||
Lawson, John Howard, 1948-1949 |
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||||
Lawson, John Howard and Dalton Trumbo, 1949-1950 |
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Trumbo, Dalton, 1949 |
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Magazine Clippings, 1947-1952 |
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Magazines: |
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The Cine Technician, 1947-1950 |
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Daily Variety, 1947-1952 |
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Film Sense, 1949 |
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Frontier, 1954 |
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The Hollywood Reporter, 1947-1951 |
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Hollywood Review, 1955 |
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Screenwriter, 1947-1948 |
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Newspaper Clippings, 1947-1958 |
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Pamphlets, |
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The Anti-American Conspiracy, 1949 |
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Association of Cinematograph and Allied Technicians 18th Annual Report and Agenda, 1951 |
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Cedars' Shame, 1952 |
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The Congressional Committee on Un-American Activities Investigates Charges of Communistic Activity in Hollywood, 1947 |
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The Constitutional Right to Advocate Political, Social, and Economic Change - An Essential of American Democracy, 1947 |
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||||
The Hiss Case, 1950 |
|
||||
Inquisition - The Case of the Hollywood Ten, 1948 |
|
||||
Introducing Representative John Elliot Rankin, 1947 |
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On the Eve of Prison, 1950 |
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||||
Report from Europe, 1947 |
|
||||
Ring Lardner, Jr. Tells Reasons for Defying House Committee, 1948 |
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The Smith Act, 1947 |
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The Watkins Decision of the Supreme Court, 1957 |
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Who Is Loyal to America?, 1947 |
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Who's Un-American?, 1947 |
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The Writer As the Conscience of the People, 1947 |
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Photographs, 1947-1948 |
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Press Releases, 1947 |
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RKO Dismissal of Adrian Scott, 1947-1952 |
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||||
RKO Dismissal of Adrian Scott, 1956-1957 |
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Speeches, 1947-1955 |
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Testimony Transcripts, 1947, 1951 |
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This series contains correspondence between Adrian Scott and professional associates regarding screen credits, possible jobs, films they were working on, and the effects of the blacklist on their working lives.
| Description | Container | ||||
|---|---|---|---|---|---|
Academy of Arts and Sciences Research Council, 1942 |
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Allen, Irving, 1966-1971 |
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Arnold, Thurmond, 1949 |
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Association of Cinetechnicians, 1947-1948 |
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Avery, Martha, 1949 |
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Bachman, Lawrence, 1958-1963 |
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Baker, Todman & Company, 1962-1965 |
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Barzman, Ben, 1959-1970 |
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Bauer, David, 1947-1969 |
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Bergman, Ingrid, 1966 |
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Bessie, Alvah, 1969-1970 |
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Bieberman, Herbert, 1971 |
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Blair, Betsy, 1957-1958 |
|
||||
Blaustein, Julian, 1970-1971 |
|
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Boulting, Roy, 1947 |
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Brand, William, 1948 |
|
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Bridges, Harry, 1953 |
|
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Briley, John, 1958-1969 |
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British Broadcasting Corporation, 1972 |
|
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Brown, Warren, 1965-1969 |
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||||
California - Western States Life Insurance Company, 1971 |
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Canfield, Curt, 1947 |
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Cerf, Bennett, 1947-1952 |
|
||||
Chafee, Jr., Zechariah, 1950 |
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Charmed Circle, 1949-1957 |
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Chilton Company, 1961-1969 |
|
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Chodorov, Edward, 1965 |
|
||||
Citizens Committee to Preserve American Freedoms, 1947 |
|
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Cohn, Harry, 1940 |
|
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Cohn, Morris, 1957 |
|
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Cohn, Sidney, 1965-1966 |
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Covenant Communications Corporation, 1968 |
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Crowther, Bosley, 1957 |
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Crum, Bartley, 1949-1954 |
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Daily Variety, no date |
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Dassin, Jules, 1952-1966 |
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||||
David, Charles, 1951 |
|
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Diamond, David, 1952 |
|
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Dozier, William, 1953 |
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Draft Board, 1941-1946 |
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Dreyfus, Audrey, 1951 |
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||||
D'Usseau, Arnaud, 1970 |
|
||||
Evans, Bergen, 1947 |
|
||||
Fair City Productions, 1971-1972 |
|
||||
Fein, Bernard, 1947 |
|
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Fifield, Bill, 1944-1947 |
|
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Finlay, Susan, 1968-1969 |
|
||||
Frank, Murray, 1947 |
|
||||
Geller, Stephen, 1969 |
|
||||
Gelson, Bernie, 1967 |
|
||||
George Litto Agency, Inc., 1968-1970 |
|
||||
Gordan, Mike, 1957-1970 |
|
||||
Gorelick, Jamie, 1971 |
|
||||
Gundlach, Ralph, 1949 |
|
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Hargrove, Dean, 1966-1971 |
|
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Hellman, Lillian, 1972 |
|
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Independent Productions Corporation, 1952 |
|
||||
Jackson, Felix, 1956 |
|
||||
Jarrico, Paul, 1958-1959 |
|
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Jean Share Memorial, 1959-1960 |
|
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Jennings, Robert, 1967 |
|
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Kanfer, Stefan, 1970 |
|
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Kazan, Elia, 1947 |
|
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Kenny, Robert, 1950-1951 |
|
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King Bros. Productions, Inc., 1958-1971 |
|
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King, Jack, 1967 |
|
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Knox, Alexander, 1967-1972 |
|
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Knox, Ralph, 1951 |
|
||||
Jean La Cour, 1960s |
|
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Lang, Fritz, 1940s |
|
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Lauber, Pauline, 1948 |
|
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Lemkin, Robert, 1969 |
|
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Lewin, David, 1969 |
|
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Liefer, Max, 1948 |
|
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Linder, Leslie, 1959-1960 |
|
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Losey, Joe, 1947, 1958-1960 |
|
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Malamud Project, 1968 |
|
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Maltz, Albert, 1949-1971 |
|
||||
The Manuscript Society, 1972 |
|
||||
Margolis, Ben, 1966 |
|
||||
Marx, Sam, 1947 |
|
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MCA, 1969-1971 |
|
||||
Melson, Inez, 1966 |
|
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Menshikov, Mikhail, 1958 |
|
||||
Metro-Golden-Mayer, Inc., 1965 |
|
||||
Michael Ellis Productions, 1969-1970 |
|
||||
Miller, Harry, 1947 |
|
||||
Mostel, Zero and Ian Hunter, 1967 |
|
||||
Mr. Lincoln Whiskers, 1947-1959 |
|
||||
Murray, John, 1947 |
|
||||
North, Ed, 1965 |
|
||||
Official Films, 1959 |
|
||||
Oldham, Vera, 1972 |
|
||||
Parks, Larry, 1958 |
|
||||
Paul Kohner, Inc., 1957-1967 |
|
||||
Paxton, John, 1968-1969 |
|
||||
Pitt, Dale, 1956 |
|
||||
Polonsky, Abe, 1965-1968 |
|
||||
Preminger, Otto, 1960 |
|
||||
Prince, Michael Scott, 1947-1972 |
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||||
Producers Guild of America, 1968-1972 |
|
||||
Progressive Party of Massachusetts, 1948 |
|
||||
Ray, Nick, 1956-1957 |
|
||||
Rich, Pippa, 1966-1967 |
|
||||
Roberts, Bob, 1958-1959 |
|
||||
Rosen, Sam, 1956, 1971 |
|
||||
Ryther Child Center, 1948 |
|
||||
Salt of the Earth, 1951-1953 |
|
||||
Saphier, Peter, 1972 |
|
||||
Sapphire Films Limited, 1956-1959 |
|
||||
Schachtel, Ernest, 1950 |
|
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Schary, Dore, 1947-1952 |
|
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Scott, Allen, 1947, 1966-1967 |
|
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Scott, Anne, 1949-1953 |
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Scott, Dorothy Shipley, 1943-1946 |
|
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Shaw, George Bernard, 1950 |
|
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The Slam, 1970-1971 |
|
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Slote, Leslie, 1970 |
|
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Southern California Gas Company, 1972 |
|
||||
Stern, Daniel, 1969 |
|
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Tebet, David, 1970 |
|
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Thatcher, Russell, 1967 |
|
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Trips to England, 1946-1958 |
|
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Trumbo, Dalton, 1949-1972 |
|
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U.S. Treasury Dept. - Office of the Director of Internal Revenue, 1953 |
|
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Universal City Studios, 1968-1969 |
|
||||
Ward, Dean, 1970 |
|
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The Wayward Wife, 1962-1963 |
|
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Weber, Charlotte, 1947 |
|
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Weinstein, Hannah, 1956-1960 |
|
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Werner, Morris, 1950 |
|
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William Morris Agency, Inc., 1970-1972 |
|
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Williams, Mike, 1958, 1971 |
|
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Wilkie, Wendell, 1941 |
|
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Wilson, Earl, 1947 |
|
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Wincelberg, Shimon, 1970 |
|
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Wolfe, Digby, 1968-1970 |
|
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Wrather Corporation, 1972 |
|
||||
Writers Guild of America West, Inc, 1941-1972 |
|
This series contains drafts of plays, screenplays, and teleplays written or produced by Adrian Scott.
| Description | Container | ||||
|---|---|---|---|---|---|
The Adventures of Johnny Risk - Final Draft Teleplay, 1950s |
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The Adventures of Robin Hood - Drafts of Story Outlines and Teleplays, 1957-1958 |
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The Adventures of Sir Lancelot - Drafts of Story Outlines and Teleplays, 1956 |
|
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Affairs of China Smith - Story Outline and First Draft Teleplay, 1955 |
|
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The Alien: |
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Drafts of Story Lines of Screenplay, 1967-1969 |
|
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Revised First Draft Screenplay, 1969 |
|
||||
Amigo - Final Draft Teleplay, 1950s |
|
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The Assassin: 1958 |
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First Draft Screenplay, 1969 |
|
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Second Draft Screenplay, 1958 |
|
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The Avenger - First Draft Screenplay, 1950s |
|
||||
The Aztec Treasure House - Final Draft Screenplay, 1950s |
|
||||
The Ball By the Horn - Final Draft Film Treatment, 1940s |
|
||||
Beat Street - Drafts of Story Line of Screenplay Includes Memoranda and Photographs, 1958 |
|
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Betty Hutton Show - First Draft and Revised Draft Teleplay, 1960 |
|
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The Blue Note - Final Draft Screenplay, 1950s |
|
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The Bold Ones: |
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Drafts of Step Outlines and Story Line of Teleplay, 1971 |
|
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Revised Story Line and First Draft Teleplay, 1971 |
|
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Revised First Draft Teleplay, 1971 |
|
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Second Revised First Draft Teleplay, 1971 |
|
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The Boy with Green Hair: |
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Final Draft Screenplay, 1947 |
|
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Revised Final Screenplay, 1947 |
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Second Revised Final Screenplay - Includes Photographs, 1947 |
|
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Charmed Circle: |
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First Draft Film Treatment, 1949 |
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Final Draft Film Treatment, 1949 |
|
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First Draft Screenplay, 1957 |
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Cornered: |
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Final Draft Screenplay, 1945 |
|
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Revised Final Draft Screenplay, 1945 |
|
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Budgets, Continuity, Marquee Photographs, and Reviews, 1945 |
|
||||
Courtesan at Nazareth - First Draft Screenplay, 1950s |
|
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Crossfire: |
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First Rough Draft Continuity, 1947 |
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First Draft Continuity, 1947 |
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Final Draft Screenplay, 1947 |
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Revised Final Draft Screenplay, 1947 |
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Final Shooting Screenplay, 1947 |
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Budgets, Continuity, Shooting Schedule, Production Reports, and Censor's Rulings, 1947 |
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Correspondence and Notes, 1946-1948 |
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Previews and Advertising, 1947 |
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Reviews, 1947 |
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Deadline at Dawn: |
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Final Draft Screenplay, 1945 |
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Revised Final Draft Screenplay, 1945 |
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Budget, Shooting Schedule, Censor's Rulings, Previews, and Reviews, 1944-1945 |
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The Dispossessed - Final Draft Screenplay, 1950s |
|
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Double Exposure - Synopsis of Screenplay, 1960s |
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Ellie: |
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Drafts of Outlines of Teleplay and Notes, 1950s |
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First Draft Teleplay, 1950s |
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Revised First Draft Teleplay, 1950s |
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Final Draft Teleplay, 1950s |
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Gaby Lark: |
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First Draft Screenplay, 1963 |
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Revised First Draft Screenplay, 1963 |
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The General Loves Duck - Final Drafts Story Line and Film Treatment, 1943 |
|
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Girls! Girls! Girls! - Television Prospectus, 1960s |
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The Glass Curtain - Final Draft Story Line of Teleplay, 1972 |
|
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Go Back Where You Came From, Hiawatha - Story Idea, 1970 |
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The Great Man's Whiskers: |
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First Draft Continuity Screenplay, 1948 |
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Step Outline and First Draft Screenplay, 1969 |
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Revised First Draft Screenplay, 1969 |
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Second Draft Screenplay, 1969 |
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Revised Second Draft Screenplay, 1969 |
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Third Draft Screenplay, 1969 |
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Revised Third Draft Screenplay, 1969 |
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Second Revised Third Draft Screenplay, 1969 |
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Budgets, 1969 |
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Daily Production Reports, 1969 |
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Inter-Office Communications, 1968-1970 |
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Scene Sketches, 1969 |
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Shooting Schedules, 1969 |
|
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Green Eyes - Estimating Screenplay and Budget, 1955-1956 |
|
||||
Green Mountain Boys - First Draft and Revised First Draft Proposal for a Television Series, 1970 |
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Green Peacock - First Drafts Story Line and Screenplay, 1950s |
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A Hole in The Sky: |
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Drafts of Outlines of Teleplay, 1968 |
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First Draft Teleplay, 1968 |
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Revised First Draft Teleplay, 1968 |
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First Draft Screenplay, 1968 |
|
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Revised First Draft Screenplay, 1968 |
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Honeybear, I Think I Love You: |
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Final Draft Screenplay and Censor's Rulings, 1969 |
|
||||
Budgets, 1969 |
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||||
Tentative Shooting Schedule, 1969 |
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||||
Ironside - Jane as in Doe: |
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Drafts of Step Outlines and Story Lines of Teleplay, 1971 |
|
||||
First Draft Teleplay, 1971 |
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||||
Final Draft Teleplay, 1971 |
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Jackaroo - Drafts of Story Lines of Teleplay, 1960s |
|
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Jane Lightning and the Bushbum: |
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Notes, 1971 |
|
||||
Drafts of Step Outlines and Story Lines, 1971 |
|
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First Draft Screenplay, 1971 |
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||||
Revised First Draft Screenplay, 1971 |
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||||
Final Draft Screenplay, 1971 |
|
||||
The Journey of Simon McKeever: |
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Budgets and Memoranda, 1949 |
|
||||
Revised First Draft Screenplay, 1971 |
|
||||
Keeping Company - First Draft Screenplay and Reviews, 1970 |
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The Kill: |
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Final Draft Screenplay, 1966 |
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Revised Final Draft Screenplay, 1966 |
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Second Revised Final Draft Screenplay, 1966 |
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Production Budget, 1966 |
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King of the United States - Final Draft Screenplay, 1960s |
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King of the Wind - Revised Final Draft Screenplay, 1971 |
|
||||
First Draft Screenplay, 1969 |
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Lucky: |
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Drafts of Outlines of Screenplay, 1950s |
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Final Draft of Film Treatment, 1950s |
|
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Lassie: |
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The Case of the Horsenapper - Drafts of Film Treatment, 1972 |
|
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A Girl and a Boy: |
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First Draft Teleplay, 1972 |
|
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Final Draft Teleplay, 1972 |
|
||||
Goodbye Lassie - Drafts of Outlines of Teleplay, 1972 |
|
||||
A Matter of Respect - Drafts of Outlines of Teleplay, 1972 |
|
||||
A Taste of Freedom: 1972 |
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Drafts of Outlines of Teleplay, |
|
||||
Final Draft Teleplay, 1972 |
|
||||
McCloud - Murder - Take Two: |
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Revised First Draft Step Outline, 1971 |
|
||||
First Draft Television Prospectus, 1971 |
|
||||
Revised First Draft Television Prospectus, 1971 |
|
||||
Second Draft Television Prospectus, 1971 |
|
||||
Third Draft Television Prospectus, 1971 |
|
||||
Revised Third Draft Television Prospectus, 1971 |
|
||||
McMillan and Wife - Time for a Murder: |
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Drafts of Outlines of Teleplay, 1972 |
|
||||
Drafts of Step Outlines of Teleplay, 1972 |
|
||||
First Draft Teleplay, 1972 |
|
||||
Revised First Draft Teleplay, 1972 |
|
||||
The Man From Picadilly: |
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Drafts of Television Prospectus and Pilot Teleplay, 1968 |
|
||||
Revised Draft Television Prospectus, 1968 |
|
||||
First Draft Teleplay, 1968 |
|
||||
Second Draft Teleplay, 1968 |
|
||||
A Man's World - Final Draft Film Treatment, no date |
|
||||
Message to Washington - Final Draft Play, 1940s |
|
||||
Monsieur LeCoq: |
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First Draft Screenplay, 1966 |
|
||||
Revised First Draft Screenplay, 1967 |
|
||||
Second Revised First Draft Screenplay, 1967 |
|
||||
Second Draft Screenplay, 1967 |
|
||||
Revised Second Draft Screenplay, 1967 |
|
||||
Budgets, 1967-1968 |
|
||||
Production Notes, 1967-1968 |
|
||||
Most Dangerous Game - First Draft Screenplay, 1965 |
|
||||
The Movie Story - Final Draft of Television Prospectus, no date |
|
||||
Mr. Lincoln's Whiskers: |
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First Draft Play, 1947 |
|
||||
Revised First Draft Play, 1947 |
|
||||
Drawings of Scenes, 1947 |
|
||||
Publicity and Reviews, 1948-1949 |
|
||||
Mr. Lucky - Final Draft Story Line of Screenplay and Reviews, 1942-1943 |
|
||||
Murder My Sweet a.k.a. Farewell My Lovely: |
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Final Draft Film Treatment, 1944 |
|
||||
Final Draft Screenplay, 1944 |
|
||||
Budgets, 1944 |
|
||||
Call Sheets, 1944 |
|
||||
Inter-Office Communications, Censor's Rulings, and Preview Comments, 1944-1945 |
|
||||
Production Reports, 1944 |
|
||||
Publicity and Reviews, 1944-1945 |
|
||||
Shooting Schedule, 1944 |
|
||||
My Pal Wolf: |
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Final Draft Screenplay, 1944 |
|
||||
Budgets, 1944 |
|
||||
Call Sheets, 1944 |
|
||||
Inter-Office Communications, Censor's Rulings, and Preview Comments, 1944 |
|
||||
Production Notes, 1944 |
|
||||
Production Reports, 1944 |
|
||||
Reviews, 1944 |
|
||||
Shooting Schedules, 1944 |
|
||||
My Sweet Charlie: |
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Synopsis for Screenplay, 1968 |
|
||||
First Draft Screenplay, 1969 |
|
||||
Revised First Draft Screenplay, 1969 |
|
||||
The Parson of Panamint: |
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Revised Second Draft Screenplay, 1941 |
|
||||
Second Revised Second Draft Screenplay, 1941 |
|
||||
Censor's Rulings and Reviews, 1941 |
|
||||
The Prisoner - Notes and Synopsis for Screenplay, 1968 |
|
||||
Private Confusion: |
|||||
Revised First Draft Screenplay, 1941 |
|
||||
Second Revised First Draft Screenplay, 1941 |
|
||||
Queen Elizabeth I: |
|||||
Revised First Draft Film Treatment, 1950s |
|
||||
Revised First Draft Teleplay, 1950s |
|
||||
Salt of the Earth: |
|||||
Preliminary Final Draft Screenplay, 1952 |
|
||||
Publicity Stills, 1952 |
|
||||
The Savage Canary - Final Draft Screenplay, 1966 |
|
||||
Shoot Around the Sea - Drafts of Story Lines of Screenplay, 1968 |
|
||||
The Slam: |
|||||
First Draft Screenplay, 1970 |
|
||||
Revised First Draft Screenplay, 1970 |
|
||||
Second Revised First Draft Screenplay, 1970 |
|
||||
Second Draft Screenplay, 1971 |
|
||||
Revised Second Draft Screenplay, 1971 |
|
||||
Second Revised Second Draft Screenplay, 1971 |
|
||||
Budget, 1971 |
|
||||
Continuity Notes, 1971 |
|
||||
So Well Remembered: |
|||||
Final Draft Adaption of Novel for Film, 1945 |
|
||||
Final Draft Film Treatment, 1946 |
|
||||
Final Draft Screenplay, 1946 |
|
||||
Book by James Hilton - Annotated by Adrian Scott, 1945 |
|
||||
Budgets, 1946-1947 |
|
||||
Correspondence, April-September 1946 |
|
||||
Correspondence, October 1946-November 1947 |
|
||||
Photographs: |
|||||
BBC "Picture Parade" Program Interview of Director, Producer, and Co-Stars, 1946 |
|
||||
Movie Stills, 1947 |
|
||||
Trade and Press Reception for Adrian Scott at Claridge Hotel, London, England, April 1946 |
|
||||
Preview Comments, Publicity, and Reviews, 1947 |
|
||||
Sylva: |
|||||
Final Draft Screenplay, 1969 |
|
||||
Inter-Office Communications, Step Outline, and Step Sheet, 1969 |
|
||||
A Tailor-Made Man - Revised First Draft Screenplay, 1950s |
|
||||
Time to Kill - Revised First Draft Screenplay, 1960s |
|
||||
Wanted: Dead or Alive - Hostage - First Draft Story Line, 1950s |
|
||||
The Wayward Wife: |
|||||
First Draft Screenplay, 1971 |
|
||||
Revised First Draft Screenplay, 1971 |
|
||||
Second Draft Screenplay, 1971 |
|
||||
Revised Second Draft Screenplay, 1971 |
|
||||
We Go Fast - Final Draft Screenplay, 1941 |
|
||||
Whistling Girls - Final Draft Play, 1940s |
|
||||
Wings of Hope: |
|||||
Synopsis for Screenplay, 1957 |
|
||||
Final Draft Treatment, 1957 |
|
||||
Your Street of Dreams - Radio Show Program Prospectus, 1940s |
|
This series contains drafts of screenplays and teleplays written by Joan Scott.
| Description | Container | ||||
|---|---|---|---|---|---|
Cairo - Final Draft Screenplay, 1962 |
|
||||
Call of the Wild - Television Prospectus, First Draft, and Revised First Draft Pilot, 1960s |
|
||||
The Calypso Murder - Final Draft Screenplay, no date |
|
||||
Goldie Meets Mike - First Draft Screenplay, no date |
|
||||
Have Gun, Will Travel: |
|||||
The Bandit: |
|||||
First Draft Teleplay, 1961 |
|
||||
Revised First Draft Teleplay, 1961 |
|
||||
Final Draft Teleplay, 1961 |
|
||||
In an Evil Time - Final Draft Teleplay, 1961 |
|
||||
The Kid - First Draft Teleplay, 1961 |
|
||||
The Man with Skirts - First Draft Outline of Teleplay, 1961 |
|
||||
King George - Final Draft Screenplay, 1960s |
|
||||
Lassie: |
|||||
The Boy Who Cried Lassie - Final Draft Outline of Teleplay, 1950s |
|
||||
The Golden Eagle: |
|||||
First Draft Teleplay, 1972 |
|
||||
Second Draft Teleplay, 1972 |
|
||||
Final Draft Teleplay, 1972 |
|
||||
The Hoax: |
|||||
Final Draft Outline of Teleplay, 1956 |
|
||||
Revised First Draft Teleplay, 1956 |
|
||||
Third Draft Teleplay, 1956 |
|
||||
The Horsenappers: |
|||||
Final Draft Outline of Teleplay, 1972 |
|
||||
First Draft Teleplay, 1972 |
|
||||
Final Draft Teleplay, 1972 |
|
||||
Joey: |
|||||
Final Draft Outline of Teleplay, 1961 |
|
||||
Final Draft Teleplay, 1961 |
|
||||
Lassie and the Eagle - Final Draft Outline of Teleplay, 1961 |
|
||||
Lassie and the Greyhound - Final Draft Teleplay, 1961 |
|
||||
Lassie's Reluctant Pupil - Final Drafts Outline and Step Outline of Teleplay, 1972 |
|
||||
The Legend of the Coyote: |
|||||
Final Draft Outline of Teleplay, 1972 |
|
||||
First Draft Teleplay, 1972 |
|
||||
Revised First Draft Teleplay, 1972 |
|
||||
The Pigeon - Final Draft Outline Teleplay, 1960 |
|
||||
Survival - Final Draft Outline of Teleplay, 1956 |
|
||||
A Taste of Freedom: |
|||||
First Draft Teleplay, 1972 |
|
||||
Final Draft Teleplay, 1972 |
|
||||
Tell It to the Birds: |
|||||
Drafts of Film Treatments, 1972 |
|
||||
First Draft Teleplay, 1972 |
|
||||
Revised First Draft Teleplay, 1972 |
|
||||
Second Draft Teleplay, 1972 |
|
||||
Three Lives at Stake - Final Draft Story Line for Teleplay, 1972 |
|
||||
The Unwanted - Revised Final Draft Teleplay, 1970 |
|
||||
The Vanishing Breed - Final Draft Outline Teleplay, 1970 |
|
||||
The White Dog - Final Draft Outline of Teleplay, 1960s |
|
||||
The Wild One - Drafts of Outlines of Teleplay, 1961 |
|
||||
The Winner: |
|||||
Final Draft Outline of Teleplay, 1961 |
|
||||
Final Draft Teleplay, 1961 |
|
||||
Magnificent Rebel: |
|||||
Final Draft Film Treatment for Teleplay, 1958 |
|
||||
First Draft Teleplay, 1959 |
|
||||
Revised First Draft Teleplay, 1959 |
|
||||
Second Revised First Draft Teleplay, 1959 |
|
||||
Man of the World - A Lady with the Blues - Final Draft Film Treatment for Teleplay, no date |
|
||||
Marcus Welby, M.D. - I Can Hardly Tell You Apart: |
|||||
Final Draft of Teleplay, 1970 |
|
||||
Revised Final Draft of Teleplay, 1970 |
|
||||
Meet McGraw: |
|||||
The Delinquent - Final Draft Outline of Teleplay, 1950s |
|
||||
McGraw in Reno - Revised Final Draft Teleplay, 1957 |
|
||||
Memory Game: |
|||||
Second Draft Screenplay, no date |
|
||||
Third Draft Screenplay and Notes, no date |
|
||||
Pursuit: |
|||||
Beat Alley - Final Draft Outline of Teleplay, 1958 |
|
||||
Tiger on a Bicycle - Revised First Draft Teleplay, 1958 |
|
||||
Put Me in the Picture - Revised First Draft Teleplay, 1960s |
|
||||
The Red Light - Drafts of Step Outlines and Revised 1950s |
|
||||
Richard Diamond, Private Detective: |
|||||
The Cool Cat with the Hot Temper - Final Draft of Outline of Teleplay, 1959 |
|
||||
Jazz at the Carlton: |
|||||
First Draft Teleplay, 1959 |
|
||||
Revised First Draft Teleplay, 1959 |
|
||||
Ripcord: |
|||||
The Condemned: |
|||||
First Draft Teleplay, 1960 |
|
||||
Final Draft Teleplay, 1960 |
|
||||
15B - First Draft Teleplay, 1961 |
|
||||
77 Sunset Strip - Lairs' Club: |
|||||
Estimating Draft Teleplay, 1961 |
|
||||
Revised Estimating Draft Teleplay, 1961 |
|
||||
Revised Final Draft Teleplay, 1961 |
|
||||
The Stormy Age: |
|||||
Drafts of Outlines of Teleplay, 1959 |
|
||||
First Draft Teleplay, 1959 |
|
||||
Revised First Draft Teleplay, 1959 |
|
||||
The Stormy Age - By Daniel and Joanne Court: |
|||||
Second Revised First Draft Copy, 1959 |
|
||||
Final Draft Teleplay, 1959 |
|
||||
Surfside 6 - By Joanne Court: |
|||||
Daphne, Girl Detective: |
|||||
Drafts of Outlines Teleplay, 1961 |
|
||||
First Draft Teleplay, 1961 |
|
||||
Revised First Draft Teleplay, 1961 |
|
||||
Final Draft Teleplay, 1961 |
|
||||
Lairs' Club - First Draft Teleplay, 1961 |
|
||||
Race Against Time - Revised Final Draft Teleplay, 1961 |
|
||||
Recipe for Mayhem - Revised Final Draft Teleplay, 1961 |
|
This series contains drafts of plays, screenplays, and teleplays written by professional associates of Adrian Scott.
| Description | Container | ||||
|---|---|---|---|---|---|
All I Said was Love - By Robert Presnell, Jr.: |
|||||
First Draft Film Treatment for Screenplay and Memorandum, 1968-1969 |
|
||||
Second Draft Screenplay, 1969 |
|
||||
Revised Second Draft, 1969 |
|
||||
All the World's a Stage, Baby - By Allan Scott - Final Draft Play, 1960s |
|
||||
The Amoralists - By Edward Harper - Final Draft Film Treatment for Screenplay, no date |
|
||||
An American Story - Final Draft Screenplay, no date |
|
||||
Are You Now or Have You Ever Been a Member of the Human Race - By Robert Presnall, Jr. - Final Draft Film Treatment for Screenplay, 1960s |
|
||||
Bad Day at Black Rock - By Millard Kaufman - Final Draft Screenplay, 1954 |
|
||||
Benny Is a Dummy - By George O'Hanlon - Second Draft Screenplay, 1960s |
|
||||
Big Bend - By Richard Mead - Synopsis for Teleplay, 1969 |
|
||||
Black Pimpernal - By Alexander Knox - Final Draft Story Line for Screenplay, 1960s |
|
||||
Boo! - By David Campton - Final Draft Radio Play, 1950s |
|
||||
The Chinese Visitor - By Edward Harper - Second Revised First Draft Screenplay, 1968 |
|
||||
The Choice - By Robert L. Joseph - Final Draft Screenplay, 1968 |
|
||||
Christians Won, Lion Ate - By Bennett Foster - Final Draft Film Treatment for Screenplay, 1970 |
|
||||
The Code of Jonathan West - By John Paxton - Revised First Draft Screenplay, no date |
|
||||
Conspiracy of Hearts - By Dale Pitt: |
|||||
First Draft Teleplay, 1956 |
|
||||
Revised First Draft Teleplay, 1956 |
|
||||
Final Draft Teleplay, 1956 |
|
||||
Cop Out - Synopsis for Screenplay, 1969 |
|
||||
The Corrupt Octopus - By Allan Scott and Frank Tashlin - Final Draft Screenplay, 1960s |
|
||||
Countdown - By John Brley - Final Draft Screenplay, 1960s |
|
||||
The Debt - By Robert Presnell, Jr. - Final Draft Film Treatment for Screenplay, no date |
|
||||
Decision - By Helen Nielson - Final Draft Film Treatment for Teleplay, no date |
|
||||
The Devil's Daughter - Final Draft Story Line for Teleplay, no date |
|
||||
Double Image - By Charles W. Dwyer - Final Draft Screenplay, no date |
|
||||
Fear Is the Key - By Alistair MacLean - Synopsis for Screenplay, 1967 |
|
||||
The Glass Key - By Dashiell Hammett - Synopsis for Teleplay and Memorandum, 1969-1971 |
|
||||
The Hostages - By Aluah Bessie - Final Draft Screenplay, 1960s |
|
||||
I Hate You Aunt Mama - By Bennett Foster - Final Draft Film Treatment for Screenplay, 1970 |
|
||||
It's a Wonderful Life - By Clifford Odets - Second Draft Screenplay, 1945 |
|
||||
Jamaica - By E.Y. Harburg - Revised Final Draft Play, 1960s |
|
||||
Johnny Got His Gun - By Dalton Trumbo - Final Draft Screenplay, 1969 |
|
||||
Love and Taxes - By Alan Scott - Final Draft Screenplay, 1948 |
|
||||
The Lovers - By Robert Presnell, Jr. - Final Draft Film Treatment for Screenplay, 1960s |
|
||||
A Matter of Survival - By Christopher L. Helms - First Draft Screenplay, 1970 |
|
||||
Mister Adam - By Dalton Trumbo - Final Draft Screenplay, 1958 |
|
||||
Mrs Eckdorf in O'Neill's Hotel - By Edward Harper: |
|||||
First Draft Screenplay, 1960s |
|
||||
Revised First Draft Screenplay, 1960s |
|
||||
Number One Ephus - By Bennett Foster - Final Draft Treatment for Screenplay, 1970 |
|
||||
Out of the Deeps - By Robin Estridge: |
|||||
Final Draft Film Treatment for Screenplay, 1963 |
|
||||
First Draft Story Line for Screenplay, 1968 |
|
||||
Revised First Draft Story Line for Screenplay, 1968 |
|
||||
Outer Darkness - By Michael Wilson - Revised First Draft Screenplay, 1968 |
|
||||
Pamela - By Edward Hume - Final Draft Screenplay, 1967 |
|
||||
The Prince of Thieves - By George Tabori - First Draft Screenplay, 1965 |
|
||||
Project 1 - By S. Beckett, E. Ionesco, and H. Pinter - Final Draft Film Treatment for Screenplay, 1963 |
|
||||
A Ring of Roses - By Carl Foreman - Final Draft Screenplay, 1966 |
|
||||
Rip Van Winkle - By Paul Jarrico - Final Draft Screenplay, no date |
|
||||
Spring Awakening - By Franz Wedekind - Synopsis and Final Draft of Play, 1963 |
|
||||
The Syndicate - By Dalton Trumbo - Final Draft Screenplay, 1960s |
|
||||
The Tag of the Dog - By Mitchell Lindeman - Final Draft Story Line for Screenplay, 1960s |
|
||||
Things - By Dale Pitt - Final Draft Teleplay, no date |
|
||||
The Thirty-First of June - By Edmund H. North - Final Draft Film Treatment for Screenplay, 1965 |
|
||||
Town Parole - By Alex Hamilton - Synopsis for Screenplay, 1964 |
|
||||
Tsar's Bride - By Edward Harper - Final Draft Screenplay, 1960s |
|
||||
'Twas Brillig - By Robert Lees and Fred Rinaldo - Final Draft Film Treatment for Screenplay, 1960s |
|
||||
Twenty Thousand Years in Sing Sing - Final Draft Teleplay, no date |
|
||||
The Two Headed Spy - Final Draft Screenplay, 1958 |
|
||||
White Line to Eternity - By Victor Canning - Final Draft Short Story, 1960s |
|
||||
Who's Happy Now? - By Oliver Hailey: |
|||||
Final Draft Play, 1967 |
|
||||
First Draft Screenplay, 1968 |
|
||||
Revised First Draft Screenplay, 1969 |
|
||||
Final Draft Screenplay, 1969 |
|
||||
The Windows of Heaven - By Shimon Wincelberg - Final Draft Play, 1969 |
|
||||
Wings - By Euan Lloyd and Adrian Scott - Television Prospectus Final Draft, 1967 |
|
||||
Why Sister Susanna Must be Protected From the Forces of Evil and Darkness - By W. Link and R. Levinson - Final Draft Screenplay, no date |
|
||||
Yankee Doodle - By Harve Bennett - Father and I Went Down to Camp - Final Draft Pilot Screenplay, 1969 |
|
||||
The Yearling - By Sidney Franklin - Final Draft Screenplay, 1945 |
|
This series contains trade paper advertising and preliminary posters for films "Crossfire," "Farewell My Lovely" a.k.a. "Murder My Sweet," and "My Pal Wolf."
| Description | Container | ||||
|---|---|---|---|---|---|
Crossfire, Farewell My Lovely a.k.a. Murder My Sweet, and My Pal Wolf, 1940s |
|